This Professional Master’s Degree in Audiovisual Script Adaptations will allow you to develop all your knowledge about character and story adaptation and to translate it into an audiovisual medium in a professional way”

The world of audiovisual scriptwriting is constantly changing. Its progress is frenetic thanks to the high demand for products and new factors, such as streaming platforms, new production corporations and the shift towards series and videogames. Screenwriters must adapt to new changes and maintain a high performance level in order to continue to be a key element in audiovisual production.

To carry out the adaptation of any type of script in an audiovisual format, it is necessary to acquire a series of skills that allow the idea to be put into practice and make it work. Keeping up to date in this area is necessary, even if scriptwriters' basic skills are extensive and experienced. In addition, it is not enough to only know the fundamentals of the processes that must be carried out for audiovisual script adaptation, but it is also important to incorporate the necessary information for its pre-production, production and post-production, looking at the process as a whole. 

The first part of the syllabus deals with the phases prior to audiovisual script adaptation and delves into the processes of character adaptation, its origins and development. It will then focus on plot creation, its evolution, the different techniques that exist and their phases. Finally, this third section will focus on content analysis and adaptation of its preparation, going further into the knowledge of this point.

This program is the most complete and directed program for audiovisual script adaptation professionals to reach a superior performance level, based on the fundamentals and the latest trends in script development in all audiovisual formats. Make the most of the opportunity and take this course in a 100% online format. 

Work with the best screenwriters and teaching professionals in this Postgraduate diploma, that will be highly valuable for your professional profile"

This Postgraduate diploma in Audiovisual Script Adaptations contains the most complete and up-to-date educational program on the market. The most important features include:

• Developing practical cases presented by experts in Audiovisual Script Adaptation
• The graphic, schematic, and practical contents with which they are created provide scientific and practical information on the disciplines that are essential for professional practice
• Latest advances in character and story adaptation, taking into account the latest social trends and advances in multimedia formats
• Practical exercises where the process of self assessment can be used to improve learning
• Special emphasis on audiovisual script adaptation methodologies
• Algorithm-based interactive learning system for decision-making in situations that are presented to students in Audiovisual Script Adaptations
• Theoretical lessons, questions to the expert, debate forums on controversial topics, and individual reflection assignments
• Content that is accessible from any fixed or portable device with an Internet connection

This program will help you tell the story you want to create, the way you want to tell it”

It includes in its teaching staff, professionals belonging to the world of Audiovisual Production, who pour their work experience into this program, in addition to recognized specialists belonging to leading societies and prestigious universities.

Its multimedia content, developed using the latest educational technology, will enable contextual and situated learning, i.e., a simulated environment that will provide immersive learning programmed to prepare students for real situations.

This program is designed around Problem-Based Learning, where professionals must try to solve the different professional practice situations that arise throughout the program. For this reason, you will be assisted by an innovative, interactive video system created by renowned and experienced experts in the field of Audiovisual Script Adaptations with extensive experience.

Do not miss the opportunity to enhance your expertise in the Audiovisual Script Adaptations in different formats"

Learn about the latest trends in the entertainment industry and update your knowledge in Audiovisual Screenwriting"

The structure of the contents has been designed by a team of professionals in Audiovisual Script Adaptations who are conscious of the importance of up-to-date professional development in order to be able to delve into the field of knowledge, through the use of the available tools.

This Postgraduate diploma in Audiovisual Script Adaptations contains the most complete and up to date educational program on the market”

Module 1. Character Building

1.1. An Introduction to the Character

1.1.1. Basic Concepts

1.1.1.1. Historical Origin
1.1.1.2. Character and Narratology
1.1.1.3. Formalist Conceptions
1.1.1.4. Structural Conceptions

1.1.2. Psychology of the Character

1.1.2.1. Flat Characters
1.1.2.2. Round Characters
1.1.2.3. Character Sheet
1.1.2.4. Conflict
1.1.2.5. Objective
1.1.2.6. Motivation

1.1.3. Actions

1.1.3.1. Cause and Effect Relationship
1.1.3.2. Self-Disclosure
1.1.3.3. New Balance

1.1.4. Practical Example

1.2. Characterization of Characters

1.2.1. Characters and Plot

1.2.1.1. Topics
1.2.1.2. Symbolism
1.2.1.3. Worlds
1.2.1.4. Actions
1.2.1.5. Interpretation of the Screenwriter's World

1.2.2. Characterization of Physical Appearance

1.2.2.1. Characters vs. Person
1.2.2.2. Stereotypes

1.2.3. First Steps to Creating a Character According to Linda Seger

1.2.3.1. Observation and Experience
1.2.3.2. Physical
1.2.3.3. Coherence
1.2.3.4. Attitudes
1.2.3.5. Individualize
1.2.3.6. Diverse Psychology

1.2.4. Practical Example

1.3. Protagonist and Antagonist

1.3.1. Similarities
1.3.2. Differences
1.3.3. Vulnerability
1.3.4. External Event
1.3.5. Climax
1.3.6. Double Self-Disclosure

1.4. Hero and Its Deviations

1.4.1. Hero’s Journey
1.4.2. Antihero
1.4.3. Victim

1.5. Character Conflicts

1.5.1. Single Plot
1.5.2. Multiple Plot
1.5.3. Types of Conflicts

1.6. Psychology of the Character

1.6.1. Differences Between Film and Literature
1.6.2. Emotions
1.6.3. Thoughts
1.6.4. Dialogues and Monologues
1.6.5. Actions
1.6.6. Visual and Sound Allegories

1.7. Dialogue and character

1.7.1. Dialogue Task
1.7.2. Voices
1.7.3. Subtext
1.7.4. Explanatory Dialogue

1.8. Character and Scene

1.8.1. Precedents
1.8.2. Protagonist and Antagonist

1.8.2.1. Status Quo
1.8.2.2. Desire
1.8.2.3. Motivations
1.8.2.4. Strategies
1.8.2.5. State of Mind
1.8.2.6. Relationships

1.8.2.6.1. Emotional
1.8.2.6.2. Social
1.8.2.6.3. Spatial

1.9. Characters and Information

1.9.1. Protagonist Audience
1.9.2. World History and World Story
1.9.3. Suspense and Surprise
1.9.4. Anticipations and Pulses

1.10. Success in the Forging of a Mythical Character

1.10.1. Myth
1.10.2. Sense of the Myth
1.10.3. Aristotle's "The Poetics"

Module 2. Creating the Plot

2.1. An Introduction to the Script

2.1.1. Basic Concepts

2.1.1.1.  Idea
2.1.1.2. Synopsis
2.1.1.3. Plot
2.1.1.4. Treatment
2.1.1.5. Scale
2.1.1.6. Script

2.2. Origin and Structure of the Script

2.2.1. Controlling Idea
2.2.2. Counter Idea
2.2.3. Supposed
2.2.4. Turning Point
2.2.5. Climax
2.2.6. Moralizing Act

2.3. Creating the Plot

2.3.1. Narrative Fundamentals

2.3.1.1. Detonator
2.3.1.2. Conflict
2.3.1.3. Twist
2.3.1.4. Resolution

2.3.2. Plot and Information
2.3.3. Archetypal Plot
2.3.4. Synthesis

2.4. Elements in the Plot

2.4.1. Coherence

2.4.1.1. Internal
2.4.1.2. External

2.4.2. Likelihood
2.4.3. Genres and Subgenres
2.4.4. Characters
2.4.5. Tone
2.4.6. Dramatic Arch
2.4.7. Plots, Subplots and Conclusions
2.4.8. Treatment

2.5. Delimitations of the Television Plot

2.5.1. Film Script Vs. Television Script
2.5.2. Requirements  
2.5.3. Types of Writing
2.5.3. Production Constraints
2.5.4. Scale

2.6. Two Paradigms: United States and Europe

2.6.1. Currents in the United States

2.6.1.1. Classic
2.6.1.2. Modern

2.6.2. Currents in Europe

2.6.2.1. Neorealism
2.6.2.2. New Wave
2.6.2.3. Dogma

2.6.3. Other Currents

2.7. Time in the Story

2.7.1. Alteration

2.7.1.1. Disorder
2.7.1.2. Nuclear fragmentation
2.7.1.3. Resources

2.7.2. Narration, Alteration and Plot

2.8. Dialogues and Action

2.8.1. Plot Manifestation

2.8.1.1. Spaces
2.8.1.2. Dialogues
2.8.1.3. Subtext
2.8.1.4.  Elements to Avoid
2.8.1.5. Main Line of Action
2.8.1.6. Delimitation of the Scene
2.8.1.7. Description and Action
2.8.1.8. Rhythm and Details

2.9. Technical, Graphic and Sound Scripts

2.9.1. Technical Script
 

2.9.1.1. Components
2.9.1.2. Format
2.9.1.3. Scale

2.9.2. Graphic Script

2.9.2.1. Components
2.9.2.2. Format

2.9.3. Sound Script

2.9.3.1. Components
2.9.3.2. Format

2.10. Screenwriting Programs

2.10.1. Features

2.10.1.1. Formats
2.10.1.2. Scales
2.10.1.3. Cards
2.10.1.4. Collaborative Work
2.10.1.5. Productivity
2.10.1.6. Import and Export
2.10.1.7. Online or Desktop Applications
2.10.1.8. Lists and Reports
2.10.1.9. Interaction With Other Programs

2.10.2. Program Examples

2.10.2.1. Free Software
2.10.2.2. Private Software

Module 3. Analysis and Adaptations

3.1. Story Analysis

3.1.1. Controversial
3.1.2. Evoke
3.1.3. Difficulties
3.1.4. Analyst

3.2. Analysis I Coverage

3.2.1. Analysis Sheet
3.2.2. Examples:

3.3. II Analysis: Cover

3.3.1. Cover

3.3.1.1. Idea
3.3.1.2. Synopsis
3.3.1.3. Recommendations

3.4. Analysis III: Commentary

3.4.1. Commentary

3.4.1.1. Recommendations

3.5. Analysis IV: Characters

3.5.1. Breakdown

3.5.1.1. Characters
3.5.1.2. Recommendations

3.6. Analysis V: Commercial Evaluation

3.6.1. Commercial Dimension

3.6.1.1. Development Notes
3.6.1.2. Commercial Evaluation
3.6.1.3. Recommendations

3.7.  Adaptation to Television and Films

3.7.1. Premises
3.7.2. Translation
3.7.3. Adaptation
3.7.4. Creativity

3.7.4.1. Method

3.7.5. Obstacles
3.7.6. Markets
3.7.7. Sources
3.7.8. Fidelity and Authenticity
3.7.9. Narration and Perspective

3.8. Literary Adaptation

3.8.1. Features
3.8.2. Interrelation With Film

3.8.2.1. Similarities
3.8.2.2. Divergences

3.8.3. Generate an Original Moment
3.8.4. Audiovisual and Literary Language

3.9. Theatrical Adaptation

3.9.1. Features
3.9.2. Interrelation With Film

3.9.2.1. Similarities
3.9.2.2. Divergences

3.9.3. Relationship with Audience
3.9.4. Theatrical and Filmic Meta-Writing

3.10. Adaptation to Comics

3.10.1. Features
3.10.2. Interrelation With Film

3.10.2.1. Similarities
3.10.2.2. Divergences

3.10.3. Ninth Art

3.10.3.1. Sequential
3.10.3.2. Influence

3.10.4. Example

A unique, key and decisive training experience to boost your professional development"