The transformation of spaces and the creation of safe and comfortable environments has never been in such high demand. For this reason, this Master's Degree will open the doors to a successful working future" 

The development of society and the changes in different lifestyles have increased the demand for Interior Design projects based on safe and comfortable environments, either for the private domain or for large companies seeking to change their image. That is why the role of the Interior Design professional has taken on special relevance, since the good advice of these specialists allows to adapt the reforms to the requirements and requests of the client, always thinking about the optimization of space and resources.

Following the current trends in the sector, TECH has developed this Master's Degree in Interior Design, a program that aims to provide the designer with a vision on the organization and decoration of space integrated into a professional project: industrial or artisanal. The idea is that they can embody the new models of life that have emerged in society by combining the techniques of artistic creation in order to develop their talent and achieve social, personal and economic success.

This is a 100% online program, with which the graduate will be able to delve into contemporary space and current trends, as well as 3D digital design techniques applied to the creation of innovative projects. In addition, it will delve into the creation of healthy spaces through the choice of sustainable materials, the phases of construction and the importance of the choice of lighting and coloring. Finally, special emphasis will be placed on textile design specialized in Interior Design, as well as furniture art. All this applied to private, commercial and corporate spaces, from the collection of data for the start of the project, to the delivery of the portfolio to the client.

A program developed over 12 months that includes 1,500 hours of the best theoretical and practical syllabus, as well as additional high-quality material presented in different formats: detailed videos, summaries of each unit, images, simulations, complementary readings and research articles, to contextualize the information and delve into the most relevant aspects. In addition, all the content will be available from day one and can be downloaded to any device with an Internet connection, guaranteeing not only a complete and comprehensive educational experience, but also a very high level of personalization.

A 100% online program with which you will be able to perfect your organizational skills and space decoration integrated in professional projects"

This Master's Degree in Interior Design contains the most complete and up-to-date program on the market. The most important features include:

• The development of practical cases presented by experts in Design and Architecture
• The graphic, schematic, and practical contents with which they are created, provide practical information on the disciplines that are essential for professional practice
• Practical exercises where the self-assessment process can be carried out to improve learning
• Its special emphasis on innovative methodologies
• Theoretical lessons, questions to the expert, debate forums on controversial topics, and individual reflection assignments
• Content that is accessible from any fixed or portable device with an Internet connection

You will have several case studies, such as Eko-screens among others, to learn in a practical way about good and bad strategies"

The program’s teaching staff includes professionals from sector who contribute their work experience to this educational program, as well as renowned specialists from leading societies and prestigious universities.

The multimedia content, developed with the latest educational technology, will provide the professional with situated and contextual learning, i.e., a simulated environment that will provide immersive education programmed to learn in real situations.

This program is designed around Problem-Based Learning, whereby the professional must try to solve the different professional practice situations that arise during the course. For this purpose, the student will be assisted by an innovative interactive video system created by renowned and experienced experts.

A program with which to learn to manage projects at the level of industry leaders such as Kelly Hoppen, Philippe Starck or Macel Wanders"

A current program with which to learn in detail the new trends in post-covid retail"

For the development of the structure and content of this Master's Degree, TECH has taken into consideration the criteria of the teaching team, who, being composed of active professionals in the design sector, know in detail the current trends and techniques. In turn, all the information collected has been adapted to the Relearning methodology, in whose use this university is a pioneer. As such, through the repetition of concepts and the resolution of real situations, learning takes place naturally and progressively, without having to invest extra hours in memorizing. But that's not all, since the graduate will also have multiple additional material in different formats to contextualize the syllabus and delve into those aspects they consider most relevant for their professional development and performance.

The study plan includes a specific module dedicated to safety, so that your projects also meet the legal requirements related to accessibility and signage specifications”

Module 1. Contemporary Space

1.1. Design for Living

1.1.1. Relationship between Spaces and People
1.1.2. Anthropological Principles
1.1.3. Psychological Foundations of Design (In Focus: Biophilic Design)

1.2. Human-Centered Design

1.2.1. Design Thinking
1.2.2. Co-Creation Spaces
1.2.3. Conceptualization

1.3. The Interior Space

1.3.1. Privacy
1.3.2. New Needs
1.3.3. Rethinking Living Space

1.4. Analysis of Contemporary Space

1.4.1. Evolution of Space Design
1.4.2. Designers and Frame of Reference for Interior Design
1.4.3. Fundamentals of Space Design

1.5. Interior Design

1.5.1. Homes
1.5.2. Commercial Spaces
1.5.3. Cultural Spaces

1.6. Aesthetics of Space

1.6.1. Shape, Color and Texture
1.6.2. Space and Order
1.6.3. Transformation and Constant Change

1.7. Sociology of Space

1.7.1. Semiotics
1.7.2. Cultural Aspects
1.7.3. Identity through Space

1.8. Current Social Movements

1.8.1. New Urban Tribes
1.8.2. Social Change
1.8.3. Contemporary Space: "Liquid Spaces"

1.9. Designers and Brands

1.9.1. Leading Brands in Interior Design
1.9.2. Interior Designers of Reference
1.9.3. Reinventing Retail Design

1.10. Trends in Interior Design

1.10.1. Drivers of Change
1.10.2. New Trends in Post-Covid Retail
1.10.3. Current and Contemporary Space

Module 2. 3D Digital Design

2.1. 3D Representation

2.1.1. Presentation of 3D Simulations
2.1.2. Presentation of Adobe Illustrator
2.1.3. Tools and Uses applied to Furniture

2.2. Tools for 3D Simulation

2.2.1. Extrusion and Beveling
2.2.2. Rotate and Twist
2.2.3. Pros and Limitations of Simulations

2.3. Preparation for 3D

2.3.1. Research and Creation, Outlines
2.3.2. Moodboards
2.3.3. Development of the View

2.4. Textures and Colors

2.4.1. Color Panels
2.4.2. Patterns and Textures
2.4.3. Creating and Importing Patterns, Textures and Colors

2.5. 3D Rotation: Preparation

2.5.1. 3D Rotation Tool
2.5.2. The Template and Silhouette
2.5.3. Sections
2.5.4. Color and Opacities

2.6. 3D Rotation: Application

2.6.1. 3D Rotation Panel
2.6.2. Application of Patterns
2.6.3. Texture Application

2.7. 3D Rotation: Perspectives

2.7.1. Modifications and Shading
2.7.2. Modification of the Symbol
2.7.3. Presentation of the View

2.8. Flash Graphics

2.8.1. Flash Graphics
2.8.2. Uses
2.8.3. Applications

2.9. Presentation of Furniture

2.9.1. 3D Visualization
2.9.2. Materials and Color Ranges
2.9.3. Summary Sheets

2.10. Presentation of the Project

2.10.1. Layout
2.10.2. Presentation of the Project
2.10.3. Exhibition of the Work

Module 3. Healthy Materials and Spaces

3.1. Sustainable Materials

3.1.1. Coatings
3.1.2. Textiles in the World of Interior Design
3.1.3. Space and User Experience

3.2. Environmental Impact and Landscape

3.2.1. Sustainability
3.2.2. Introduction to Landscaping
3.2.3. Insulation and Acoustics

3.3. Sustainable Design

3.3.1. Comfort and Ergonomics
3.3.2. Mix of Styles
3.3.3. Layout

3.4. Dimensions of Sustainability

3.4.1. Social, Economic and Environmental Axis
3.4.2. Sustainability Business Model
3.4.3. Sustainable Design Process

3.5. Passive Sustainability

3.5.1. Thermal Insulation
3.5.2. Orientation
3.5.3. Cross Ventilation

3.6. Active Sustainability

3.6.1. Solar Energy Production from the Building Itself
3.6.2. Green Mantles for Air Cleaning
3.6.3. Reuse of Greywater

3.7. Circularity in Aesthetic Environments

3.7.1. Circular Economy
3.7.2. Application of the Circular Economy in Interior Design
3.7.3. The Challenge of Decorating a Sustainable Home

3.8. Bioclimatic Architecture

3.8.1. Taking Advantage of Climatic Conditions
3.8.2. Available Resources
3.8.3. Energy Consumption

3.9. Durable and Timeless Spaces 

3.9.1. Longevity
3.9.2. Flexible Spaces
3.9.3. Timeless Aesthetics

3.10. Sustainability in Work Environments

3.10.1. The Green Work Model
3.10.2. Coworking and Work From Home
3.10.3. Trends for the Promotion of Sustainability at Work

Module 4. Construction Spaces

4.1. Structural Design

4.1.1. Resistant, Functional and Aesthetic Design
4.1.2. Composite Structural Systems
4.1.3. Flat Structural Systems

4.2. Construction

4.2.1. Fundamentals of Construction
4.2.2. The Construction Process
4.2.3. Planning

4.3. Constructive System

4.3.1. Facade and Roof
4.3.2. Interior Divisions
4.3.3. Wall Cladding and Finishes

4.4. Waste Management

4.4.1. Applicable Regulations
4.4.2. Measurements
4.4.3. Budgets

4.5. Installations applicable to Interior Design

4.5.1. Legal Regulation of Interior Design Works
4.5.2. Design of Rooms
4.5.3. Space Distribution

4.6. Classification of Installations: Electrical

4.6.1. Installation Systems
4.6.2. Overcurrent and Overvoltage Protection
4.6.3. Electrical Circuits

4.7. Sanitary Installations

4.7.1. Hydraulic and Sanitary Installations
4.7.2. Water Management and Supply
4.7.3. Water Outflow and Inflow Points (Case Study:  Eco-Screens)

4.8. Comfort and Acoustic Isolation

4.8.1. Noise-Free Spaces
4.8.2. Insulation of Walls and Windows
4.8.3. Soundproofing

4.9. Fire Safety

4.9.1. Fire Water Systems
4.9.2. Bias: Accessibility and Signaling
4.9.3. Air Conditioning

4.10. Notions of Data Installations

4.10.1. Voice Installations
4.10.2. Data Installations
4.10.3. Home Automation

Module 5. Lighting and Color

5.1. Fundamentals of Room Lighting

5.1.1. Light Theory
5.1.2. Natural and Artificial Light
5.1.3. The Culture of Design and Lighting

5.2. Light as Creation and Style

5.2.1. General, Punctual and Decorative Lighting
5.2.2. Technical and Environmental Factors
5.2.3. Light in the Design of Nordic style Spaces

5.3. Dramaturgy of Light

5.3.1. Light Art: Light as a Creative Medium
5.3.2. New Lighting Technologies
5.3.3. The Integration of Light Art in Everyday Spaces

5.4. Color in Interior Design

5.4.1. The History, Theory and Technique of Color
5.4.2. Fundamentals of Color
5.4.3. Sensation of Color

5.5. Color Sorting Systems

5.5.1. Color Variables and Parameters
5.5.2. Color Symbology
5.5.3. Emotional Value of Colors in Interior Design

5.6. Color in Digital Systems

5.6.1. Color Mixing in Computer Design
5.6.2. The Visual Properties of Digital Color
5.6.3. Color in Visual Spaces

5.7. Projection of Color in Interior Design

5.7.1. Color According to the Space
5.7.2. Color and Lighting
5.7.3. Chromatic Composition

5.8. Personality and Composition

5.8.1. Lighting Styles
5.8.2. Color Systems
5.8.3. The Impact of Color and Light on the Human Psyche

5.9. Style: Between Light and Color

5.9.1. Tones and Shades
5.9.2. Monochromatic Compositions
5.9.3. Polychromatic Compositions

5.10. Projection of the Light and the Color on the Space

5.10.1. Conditions of Space
5.10.2. Accentuation of Shapes and Textures
5.10.3. Intensity and Location of Light and Color Sources

Module 6. Textile Design

6.1. Natural Materials

6.1.1. Natural Fibers
6.1.2. Ligaments
6.1.3. Wool, Linen and Cotton

6.2. Synthetic Materials

6.2.1. Artificial Fibers
6.2.2. Filaments
6.2.3. Polyester and Nylon

6.3. Premium Materials

6.3.1. Mohair
6.3.2. Silk
6.3.3. Leather

6.4. Textile Design Techniques

6.4.1. Batik
6.4.2. Prints
6.4.3. Jacquard

6.5. Rapport

6.5.1. Rapport Designs and Positional Designs
6.5.2. Handmade Silkscreen Printing
6.5.3. Continuous Screen Printing

6.6. Carpets

6.6.1. Craftsmanship Techniques
6.6.2. Tufting
6.6.3. Machine-Made Carpets

6.7. Upholstery

6.7.1. Upholstery of Chairs
6.7.2. Upholstery of Armchairs
6.7.3. Upholstery of Furniture

6.8. Fabric Construction

6.8.1. Yarns
6.8.2. Dyeing
6.8.3. Finishes

6.9. Criteria for Choosing Fabrics

6.9.1. The Textile Sampler
6.9.2. Rooms
6.9.3. Outdoor Fabrics

6.10. Interior Textile Design

6.10.1. Main Fabric
6.10.2. Coordinates
6.10.3. Moodboard

Module 7. Interior Decoration: Art Furniture

7.1. Decorative Arts

7.1.1. Furniture Today
7.1.2. Types of Furniture
7.1.3. Contemporary Furniture Designers

7.2. The Plastic Language

7.2.1. The Code
7.2.2. Representation of Ideas
7.2.3. The Aesthetic Effect (In Focus: The Creative Experience)

7.3. Furniture Design

7.3.1. Ergonomics
7.3.2. Anthropometry
7.3.3. Model Generation

7.4. Furniture Today

7.4.1. Classic Design
7.4.2. Rustic Design
7.4.3. Modern Design

7.5. Restoration

7.5.1. Antique Furniture
7.5.2. The Work of Art
7.5.3. The Restoration Technique

7.6. Decorative Objects

7.6.1. Design of Objects
7.6.2. Decoration and Interior Design
7.6.3. Decorative Transfers

7.7. Industrial Design

7.7.1. Technical Specifications: Dimensions, Strength and Requirements
7.7.2. Prototyping
7.7.3. Software: QuickMobel

7.8. Creation of the Contemporary Style

7.8.1. Attributes of the Past and the Present
7.8.2. Difference between Conceptualization and Construction
7.8.3. Reference Manufacturers

7.9. Wall Decoration

7.9.1. Canvases, Paintings and Works of Art
7.9.2. Wallpaper
7.9.3. Painting

7.10. Outdoor Furniture

7.10.1. Technical Characteristics
7.10.2. Street Furniture
7.10.3. Terrace or Garden Furniture

Module 8. Commercial Space Design

8.1. Commercial Interior Design

8.1.1. Balance and Rhythm
8.1.2. Harmony and Emphasis
8.1.3. Scale and Proportions

8.2. Decorative Scheme

8.2.1. Textures and Thoughts
8.2.2. Forms and Style
8.2.3. The Effect of Color on the Dimensions of Space

8.3. The Brand's Style

8.3.1. Briefing: Attributes, Values and Needs
8.3.2. Color Palette
8.3.3. Representation of Textures and Shapes

8.4. The Store

8.4.1. Designing a Shopping Experience
8.4.2. Store Window
8.4.3. Interior Organization

8.5. Hotels

8.5.1. Bedrooms
8.5.2. Acoustics
8.5.3. Privacy

8.6. Restaurants

8.6.1. Kitchens
8.6.2. Light
8.6.3. The Technical Elements

8.7. Country Clubs

8.7.1. Halls
8.7.2. Integration of Nature (Windows)
8.7.3. Clubhouses

8.8. Spas

8.8.1. Bathrooms
8.8.2. Layout
8.8.3. Water Saving

8.9. Aroma Design

8.9.1. The Generation of Memories
8.9.2. Essential Oils, Fragrances and Aromas
8.9.3. Olfactory Narrative

8.10. The Commercial Project

8.10.1. Presentation: Storytelling
8.10.2. Sample Designs
8.10.3. Moodboard Explanation

Module 9. Branding and Corporate Spaces

9.1. Co-Creation in the Corporate Environment

9.1.1. Coworking Spaces
9.1.2. Work Rooms in Housing States
9.1.3. Home Offices

9.2. Technical Aspects in the Design of Work Environments

9.2.1. Accessibility
9.2.2. Productivity
9.2.3. Creativity

9.3. Marketing

9.3.1. Competitive Advantage
9.3.2. Market and Competition Analysis
9.3.3. Pattern Creation

9.4. Branding

9.4.1. Creation of your Identity
9.4.2. Design and Construction
9.4.3. Economic Impact

9.5. Web Management

9.5.1. Positioning
9.5.2. SEM
9.5.3. The Analytical Report

9.6. Marketing strategies

9.6.1. Collection, Selection and Classification
9.6.2. Tabulation
9.6.3. Data Statistics

9.7. Customer Analysis

9.7.1. Customer Lifetime Value
9.7.2. Customer Journey
9.7.3. Associated Metrics

9.8. Design: Between innovation and Creativity

9.8.1. Innovation and Creativity
9.8.2. Innovation Scenarios
9.8.3. Dashboard

9.9. Change Management in Creative Environments

9.9.1. Market Segmentation
9.9.2. Audience Segmentation
9.9.3. Change Parameters

9.10. Customer Loyalty

9.10.1. The Emotional Profile
9.10.2. Consumer Values and Consumer Perception
9.10.3. Loyalty Strategies

Module 10. The Interior Design Project

10.1. Project Methodology

10.1.1. Data Collection
10.1.2. Design and Research
10.1.3. Schedule

10.2. Conceptualization

10.2.1. Problem, Need or Desire
10.2.2. Ideation of the Dossier
10.2.3. “Look and Feel”

10.3. Preliminary Project

10.3.1. Blueprints
10.3.2. Three-Dimensional Objects
10.3.3. Simulation of Results and Determination of Materials

10.4. Budget

10.4.1. Specifications
10.4.2. Costs and Benefits
10.4.3. Feasibility and Profitability of the Project

10.5. Current Regulations

10.5.1. Safety: Fire and Flooding
10.5.2. Signage
10.5.3. Accessibility

10.6. Implementation

10.6.1. Final Blueprints
10.6.2. Decorating Materials and Elements
10.6.3. Implementation Guide

10.7. Quality Control

10.7.1. Quality Control
10.7.2. Execution of the Work
10.7.3. Management of Contingencies

10.8. Decoration

10.8.1. Aesthetic Decision-Making
10.8.2. Finishing, Cleaning and Refinishing
10.8.3. The Photographic Session

10.9. Client Assessment

10.9.1. Feedback
10.9.2. Customer File and Database
10.9.3. Recommendations

10.10. Designer's Portfolio

10.10.1. Tailoring Strategies
10.10.2. Personal Brands
10.10.3. Intellectual Property and the Dissemination of Projects

A unique, key and decisive training experience to boost your professional development"