Become a successful designer and have your collections on show at Milan or Madrid Fashion Week” 

The evolution of men's fashion has allowed men to be more and more transgressive in the way they dress, something that is demonstrated mainly in the most cosmopolitan cities. However, for this to be possible, even for innovation to be part of the more traditional garments, fashion designers need to obtain the necessary skills to make their collections stand out from the rest. To achieve this, it is necessary to go beyond the traditional studies offered in design schools and go for higher qualifications, which cover the main developments in the sector.  

This superior specialization combined with the designers' creativity will be the perfect complement to offer the public an endless number of garments and accessories ideal for everyday wear, but also for those special moments when they are looking to stand out. Specifically, TECH's Creating Men’s Fashion Projects program covers everything from the most thorough information on the fundamentals of design to men's fashion pattern making and fashion design. All these aspects are highly relevant for professionals who wish to become internationally renowned designers.  

In short, a unique program that meets the demand for fashion designers' higher qualifications. A 100% online program that will allow students to distribute their study time, not being conditioned by fixed schedules or the need to move to another physical location, being able to access all the contents at any time of the day, and therefore able to balance their work and personal life with their academic life. 

If you have always dreamed of being like Balenciaga or Dior, this is your chance. Specialize in Creating Men’s Fashion Projects and get that extra skill that will allow you to stand out in a booming sector"  

This Postgraduate diploma in Creating Men’s Fashion Projects  contains the most complete and up-to-date educational program on the market. The most important features include:

• The development of practical cases presented by experts in Fashion Design
• The graphic, schematic, and practical contents with which they are created, provide scientific and practical information on the disciplines that are essential for professional practice
• Practical exercises where self-assessment can be used to improve learning
• Special emphasis is placed on innovative methodologies in Creating Men’s Fashion Projects
• Theoretical lessons, questions to the expert, debate forums on controversial topics, and individual reflection assignments
• Content that is accessible from any fixed or portable device with an Internet connection

Design innovative and avant-garde collections and reach the top of the main fashion capitals, like New York or Paris" 

Its teaching staff includes professionals from the fashion industry, who bring to this program the experience of their work, as well as renowned specialists from leading societies and prestigious universities. 

Its multimedia content, developed with the latest educational technology, will provide the professional with situated and contextual learning, i.e., a simulated environment that will deliver an immersive learning experience, programmed to prepare for real situations. 

This program is designed around Problem-Based Learning, where Communication Management must try to solve the different professional practice situations that arise throughout the program. For this purpose, students will be assisted by an innovative interactive video system created by renowned and experienced experts. 

TECH gives you the possibility to study from anywhere in the world thanks to its 100% online format"

By enrolling in this Postgraduate diploma, you will have unlimited access to all its content"

This TECH Postgraduate diploma has been structured thinking about the academic needs of men's fashion designers who need specific programs to learn the basics of the sector and develop the skills to create the most avant-garde collections. To this purpose, the syllabus covers everything from design history to pattern making and the creative process of fashion design. Essential aspects for a 21st century professional who wishes to see their garments on the most famous national and international catwalks.

Your specialization in this field will enable you to create men's collections that will make the front covers of fashion magazines”   

Module 1. Fundamentals and Introduction to Design

1.1. History of Design 

1.1.1. Industrial Revolution 
1.1.2. The Stages of Design 
1.1.3. Architecture 
1.1.4. The Chicago School 

1.2. Styles and Movements of Design 

1.2.1. Decorative Design 
1.2.2. Modernist Movement 
1.2.3. Art Deco 
1.2.4. Industrial Design 
1.2.5. Bauhaus 
1.2.6. World War II 
1.2.7. Transavantgarde 
1.2.8. Contemporary Design 

1.3. Designers and Trends 

1.3.1. Interior Designers 
1.3.2. Graphic Designers 
1.3.3. Industrial or Product Designers 
1.3.4. Fashion Designers 

1.4. Project Design Methodology 

1.4.1. Bruno Munari 
1.4.2. Gui Bonsiepe 
1.4.3. J. Christopher Jones 
1.4.4. L. Bruce Archer 
1.4.5. Guillermo González Ruiz 
1.4.6. Jorge Frascara 
1.4.7. Bernd Löbach 
1.4.8. Joan Costa 
1.4.9. Norberto Cháves 

1.5. The Language of Design 

1.5.1. Objects and the Subject 
1.5.2. Semiotics of Objects 
1.5.3. The Object Layout and its Connotation 
1.5.4. Globalization of the Signs 
1.5.5. Proposal 

1.6. Design and its Aesthetic-Formal Dimension 

1.6.1. Visual Elements 

1.6.1.1. The Shape 
1.6.1.2. The Measure 
1.6.1.3. Color 
1.6.1.4. Texture 

1.6.2. Relationship Elements 

1.6.2.1. Management 
1.6.2.2. Position 
1.6.2.3. Spatial 
1.6.2.4. Severity 

1.6.3. Practical Elements 

1.6.3.1. Representation 
1.6.3.2. Meaning 
1.6.3.3. Function 

1.6.4. Frame of Reference 

1.7. Analytical Methods of Design 

1.7.1. Pragmatic Design 
1.7.2. Analog Design 
1.7.3. Iconic Design 
1.7.4. Canonical Design 
1.7.5. Main Authors and Their Methodology 

1.8. Design and Semantics 

1.8.1. Semantics 
1.8.2. Meaning 
1.8.3. Denotative Meaning and Connotative Meaning 
1.8.4. Lexis 
1.8.5. Lexical Field and Lexical Family 
1.8.6. Semantic Relationships 
1.8.7. Semantic Change 
1.8.8. Causes of Semantic Changes 

1.9. Design and Pragmatics 

1.9.1. Practical Consequences, Abduction and Semiotics
1.9.2. Mediation, Body and Emotions
1.9.3. Learning, Experiencing and Closing
1.9.4. Identity, Social Relations and Objects

1.10. Current Context of Design 

1.10.1. Current Problems of Design 
1.10.2. Current Themes of Design 
1.10.3. Contributions on Methodology

Module 2. Men’s Patterns

2.1. Men’s Fashion Evolution 

2.1.1. Social and Historical Context of Men's Fashion 
2.1.2. Ornamentation Renunciation and Reconquest of Fashion Rights 
2.1.3. History of Sastre 

2.2. Men's Clothing 

2.2.1. Garment Types and Variations 
2.2.2. Men's Accessories 
2.2.3. Brand and Communication Analysis 
2.2.4. Current Trends 

2.3. Male Morphology Study 

2.3.1. Male Body Evolution 
2.3.2. Male Body Study 
2.3.3. Male Body Typology 

2.4. Shirt Pattern 

2.4.1. Measurements 
2.4.2. Trace 
2.4.3. Variations 

2.5. Pants Pattern  

2.5.1. Measurements 
2.5.2. Trace 
2.5.3. Variations 

2.6. Jacket Design 

2.6.1. Measurements 
2.6.2. Trace 
2.6.3. Variations 

2.7. Jacket Flap Designs 

2.7.1. Measurements 
2.7.2. Trace 
2.7.3. Variations 

2.8. Vest Pattern 

2.8.1. Measurements 
2.8.2. Trace 
2.8.3. Variations 

2.9. Men's Coats 

2.9.1. Measurements 
2.9.2. Trace 
2.9.3. Variations 

2.10. Traditional Suit Tailoring 

2.10.1. Materials 
2.10.2. Lining 
2.10.3. Assembly 
2.10.4. Seams 

Module 3. Fashion Design

3.1. Fashion Design Methodology 

3.1.1. Concept Fashion Projects 
3.1.2. Design Methodology Applied to Fashion 
3.1.3. Research Methods in Fashion Design 
3.1.4. Briefing or Design Brief 
3.1.5. Documentation 
3.1.6. Current Fashion Analysis 
3.1.7. Idea Formation 

3.2. Creative Procedures Applied to Fashion Design 

3.2.1. Field Notebooks 
3.2.2. Moodboards 
3.2.3. Graphic Research 
3.2.4. Creative Techniques 

3.3. Referrals 

3.3.1. Fashion Retail 
3.3.2. Creative Fashion 
3.3.3. Performing Arts Fashion 
3.3.4. Corporate Fashion 

3.4. Collection Concept 

3.4.1. Garment Wearability 
3.4.2. Garment as a message 
3.4.3. Ergonomic Concepts 

3.5. Stylistic Codes 

3.5.1. Permanent Stylistic Codes 
3.5.2. Stationary Stylistic Codes 
3.5.3. Search for Personal Seal 

3.6. Collection Development 

3.6.1. Theoretical Framework 
3.6.2. Context 
3.6.3. Research 
3.6.4. Referrals 
3.6.5. Conclusions 
3.6.6. Collection Representation 

3.7. Technical Studies 

3.7.1. Textile Chart 
3.7.2. Color Chart 
3.7.3. Toile 
3.7.4. Technical Data Sheets  
3.7.5. Prototypes 
3.7.6. Pricing 

3.8. Interdisciplinary Projects 

3.8.1. Drawing 
3.8.2. Pattern-Making 
3.8.3. Sewing 

3.9. Collection Production 

3.9.1. From Sketches to Technical Drawings 
3.9.2. Craft Workshops 
3.9.3. New Technologies 

3.10. Communication and Presentation Strategy 

3.10.1. Fashion Photography: Lookbook, Editorial and Campaign 
3.10.2. Portfolios 
3.10.3. Catwalks 
3.10.4. Other Ways to Present a Collection

Specialize in the creation of fashion projects and offer men the most innovative collections"