Master all Textile Creation techniques thanks to this Postgraduate diploma”

The textile industry is one of the most important economic sectors in the world. It moves huge amounts of money and operates all over the world, making it an area of enormous influence and with major implications in different regions and countries. In addition, it is composed of different areas such as production, distribution, marketing and design. Those that refer especially to planning and design are of vital importance, since without them a garment cannot be mass-produced, in the case of clothing destined for large chains, nor can it be distributed or marketed. 

Therefore, creation is one of the fundamental links in the chain, since without it it would not be possible to physically compose the different materials used, producing, in the end, the garments. 

But to carry out this process, specific knowledge is needed about the techniques of Textile Creation and confection, as well as the materials to be used and a lot of knowledge focused on the aesthetic part of the designs, especially in reference to color. Therefore, it is necessary to master a variety of skills in order to be a specialist in this field. 

This Postgraduate diploma in Textile Creation offers its students all the skills required to be able to make all kinds of fashion garment designs, aimed mainly at their physical and material construction, so that students are able to create clothes of different styles and for different purposes. 

Create the garments of your dreams thanks to the skills you will acquire in this Postgraduate diploma”

This Postgraduate diploma in Textile Creation contains the most complete and up-to-date program on the market. Its most notable features are: 

• Practical cases presented by experts in fashion 
• A general and, at the same time, specific perspective, thanks to which it covers the global panorama of textile design for fashion while teaching all kinds of specific knowledge to students 
• Practical exercises where self-assessment can be used to improve learning 
• Special emphasis on innovative methodologies for Textile Creation 
• Theoretical lessons, questions to the expert, debate forums on controversial topics, and individual reflection assignments 
• Content that is accessible from any fixed or portable device with an Internet connection ontenidos desde cualquier dispositivo fijo o portátil con conexión a internet

You need a set of skills to master Textile Creation: with this program they will no longer be unattainable”

The program’s teaching staff includes professionals from the sector who contribute the experience of their work to this program, in addition to recognized specialists from prestigious reference societies and universities.

The multimedia content, developed with the latest educational technology, will provide the professional with situated and contextual learning, i.e., a simulated environment that will provide immersive learning programmed to train in real situations.

This program is designed around Problem-Based Learning, whereby the professional must try to solve the different professional practice situations that arise throughout the program. For this purpose, the student will be assisted by an innovative interactive video system created by renowned and experienced experts. 

Learn everything you need to know about materials and Textile Creation. Don't wait any longer and enroll"

Specialists in Textile Creation are needed to design the successfully garments of the future" 

This program is composed of 3 modules, divided into 10 topics, and offers specialized content in color theory, textile technology and textile material creation. Therefore, students will gain very specific knowledge in the field, while obtaining a panoramic view of the procedure, so that, at the end of the program, they will be able to create different types of designs, with different materials, taking into account the aesthetic concepts applied to color. 

This Postgraduate diploma offers you complete and specific contents so that you can create all kinds of textile designs”

Module 1. Colorimetry

1.1. Color Theory

1.1.1. Perception of Form and Space
1.1.2. Color. Definition
1.1.3. Color perception
1.1.4. Color Properties or Dimensions
1.1.5. Color Classification

1.2. Color Perception

1.2.1. The Human Eye
1.2.2. Color Vision
1.2.3. Variables in Color Perception
1.2.4. Non-Visual Color Perception

1.3. Color Modeling and Standardization

1.3.1. History of Color

1.3.1.1. First Theories
1.3.1.2. Leonardo da Vinci
1.3.1.3. Isaac Newton
1.3.1.4. Moses Harris
1.3.1.5. Goethe
1.3.1.6. Runge
1.3.1.7. Chevreul
1.3.1.8. Rood
1.3.1.9. Munsell
1.3.1.10. Ostwald

1.3.2. Visual Perception

1.3.2.1. Absorption and Reflection
1.3.2.2. Pigment Molecules

1.3.3. Color Attributes

1.3.3.1. Tone
1.3.3.2. Luminance
1.3.3.3. Saturation

1.3.4. Warm and Cool Colors
1.3.5. Harmony in Colors
1.3.6. Contrast
1.3.7. Color Effects

1.3.7.1. Size
1.3.7.2. Transparency, Weight and Mass

1.4. Semiotics and Semantics of Color

1.4.1. Semiotics of Color
1.4.2. Color Description
1.4.3. Colors: Material, Light, Perceptions, Sensations.
1.4.4. Color and Material
1.4.5. The Truth of a Color
1.4.6. Color perception
1.4.7. The Weight of a Color
1.4.8. The Color Dictionary

1.5. Color in Design

1.5.1. Chromatic Trends
1.5.2. Graphic Design
1.5.3. Interior Design 
1.5.4. Architecture
1.5.5. Landscape Design
1.5.6. Fashion Design

1.6. Composition

1.6.1. General Aspects

1.6.1.1. Codes Used
1.6.1.2. Originality and Banality
1.6.1.3. Degree of Iconicity and Abstraction

1.6.2. Configurational Organization of the Image: Relation between Background and Figure
1.6.3. Configurational Organization of the Image: Gestalt Laws
1.6.4. Configurational Organization of the Image: Systems of Spatial Organization

1.6.4.1. Balance: Static or Dynamic. Focal or Orthogonal System
1.6.4.2. Proportion
1.6.4.3. Symmetry
1.6.4.4. Movement and Rhythm

1.6.5. Field Study

1.7. Image Functions

1.7.1. Representative 

1.7.1.1. Cartographic 
1.7.1.2. Scientist 
1.7.1.3. Architectural 
1.7.1.4. Projectual

1.7.2. Persuasive
1.7.3. Artistic

1.8. Color Psychology

1.8.1. Warm Colors and Cool Colors
1.8.2. Physiological Effects
1.8.3. Color Symbolism
1.8.4. Personal Color Preferences
1.8.5. Emotional Effects
1.8.6. Local Color and Expressive

1.9. The Meaning of Color

1.9.1. Blue
1.9.2. Red
1.9.3. Yellow
1.9.4. Green
1.9.5. Black
1.9.6. White
1.9.7. Orange
1.9.8. Violet
1.9.9. Pink
1.9.10. Gold
1.9.11. Silver
1.9.12. Brown
1.9.13. Gray

1.10. Color Use

1.10.1. Sources of Dyes and Pigments
1.10.2. Lighting
1.10.3. Mixture of Oils and Acrylics
1.10.4. Glazed Ceramics
1.10.5. Colored Glass
1.10.6. Color Printing
1.10.7. Color Photography 

Module 2. Textile Technology

2.1. Introduction to Textile

2.1.1. History of Textiles
2.1.2. Textile Throughout Time
2.1.3. Traditional Textile Machinery
2.1.4. The Importance of Textiles in Fashion
2.1.5. Symbology Used in Textile Materials
2.1.6. Fabric Technical Data Sheet

2.2. Textile Materials

2.2.1. Classification of Textile Fibers

2.2.1.1. Natural Fibers
2.2.1.2. Artificial Fibers
2.2.1.3. Synthetic Fibers

2.2.2. Properties of the Fibers
2.2.3. Recognition of Textile Fibers

2.3. Threads

2.3.1. Basic Joins
2.3.2. General Characteristics of Thread
2.3.3. Classification of Thread
2.3.4. Spinning Phases
2.3.5. Machines Used 
2.3.6. Numbering Systems of Threads

2.4. Openwork Textiles

2.4.1. Openwork Fabrics
2.4.2. Ligament Staggering
2.4.3. Ligaments in Openwork Fabrics
2.4.4. Classification of Ligaments
2.4.5. Types of Ligaments
2.4.6. Types of Openwork Fabrics
2.4.7. The Openwork Loom
2.4.8. Special Looms

2.5. Knitted Fabrics

2.5.1. History of Knitted Fabrics
2.5.2. Classification
2.5.3. Typology
2.5.4. Comparison between Flat and Knitted Fabrics
2.5.5. Characteristics and Behavior According to Construction 
2.5.6. Technology and Machinery for Obtaining It

2.6. Textile Finishes

2.6.1. Physical Finishes
2.6.2. Chemical Finishes
2.6.3. Fabric Resistance
2.6.4. Pilling
2.6.5. Dimensional Change of Fabrics

2.7. Dyeing

2.7.1. Previous Treatment
2.7.2. Dyeing
2.7.3. Machinery
2.7.4. Consumables
2.7.5. Optical Brightening
2.7.6. Color

2.8. Print

2.8.1. Direct Printing

2.8.1.1. Block Printing
2.8.1.2. Roller Printing
2.8.1.3. Thermotransfer Printing
2.8.1.4. Screen Printing
2.8.1.5. Warp Printing
2.8.1.6. Corrosion Printing

2.8.2. Reserve Printing

2.8.2.1. Batik
2.8.2.2. Tie-Dye

2.8.3. Other Printed Types

2.8.3.1. Differential Printing
2.8.3.2. Polychromatic Electrostatic

2.9. Technical and Intelligent Fabrics

2.9.1. Definition and Analysis
2.9.2. Application of Textiles 
2.9.3. New Materials and Technologies 

2.10. Leather, Fur and Others

2.10.1. Fur and Leather
2.10.2. Classification of Leather
2.10.3. Tanning Process
2.10.4. Post-Tanning Process
2.10.5. Technological Process of Tanning
2.10.6. Conservation Methods
2.10.7. Synthetic Leather
2.10.8. Debate: Natural or Synthetic Leather 

Module 3. Creation of Textile Materials

3.1. The Art of Embroidery

3.1.1. Origins of the Art of Embroidery
3.1.2. First Manifestations of Embroidery Art
3.1.3. Embroidery Among the Egyptians, Greeks and Romans
3.1.4. The Byzantine Cycle and its Western Expansion
3.1.5. Currents of the Bizantine Expansion 
3.1.6. Chronological Outline of Proceedings
3.1.7. Materials and Supports of Embroidery
3.1.8. Embroidery in Contemporary Fashion

3.2. Classification of Embroidery

3.2.1. By Relief
3.2.2. By Material
3.2.3. By Shape
3.2.4. By Knit
3.2.5.  By Motive

3.3. Cross Stitch

3.3.1. History of Cross Stitch
3.3.2. Materials for Cross Stitch
3.3.3. Doing Cross Stitch

3.4. Machine Embroidery

3.4.1. Industrial Machine
3.4.2. Functioning of Embroidery Machine
3.4.3. Doing Machine Embroidery

3.5. Weaving

3.5.1. The Beginnings of Weaving
3.5.2. Fabric Classification
3.5.3. Flat Fabric
3.5.4. Knitted Fabrics
3.5.5. Manual Loom
3.5.6. Mechanical Loom

3.6. Loom

3.6.1. History of the Loom
3.6.2. Artisan Looms
3.6.3. Industrial Looms
3.6.4. Weaving with Loom

3.7. Lace

3.7.1. History of Lace
3.7.2. Lace and Embroidery
3.7.3. Styles of Lace
3.7.4. Types and Knits of Lace
3.7.5. Varieties of Lace Knits
3.7.6. Lace in Contemporary Fashion

3.8. Lace Bordering

3.8.1. Types of Lace Bordering
3.8.2. Material for Doing Lace Bordering
3.8.3. Carrying Out Lace Bordering
3.8.4. Lace Bordering in Contemporary Fashion

3.9. Crochet

3.9.1. History of Crochet
3.9.2. Materials for Doing Crochet
3.9.3. Doing Crochet
3.9.4. Crochet in Contemporary Fashion

3.10. Knitting

3.10.1. History of Knitting
3.10.2. Materials for Knitting
3.10.3. Doing Knitting
3.10.4. Knitting in Contemporary Fashion

The best specialized contents in this specialty are in this Postgraduate diploma”