A high-intensity educational program that will enable you to develop an Editorial Design with the solvency of the best professionals in the sector"

This Postgraduate diploma in Editorial Design has been structured to offer an interesting, interactive and, above all, very effective process of specialization in everything related to this sector. To achieve this, a clear and continuous growth path is offered, which is also 100% compatible with other occupations.

Through an exclusive methodology, this Postgraduate diploma will lead you to know all the ways of working in Editorial Design that the design professional needs to stay at the forefront and know the changing phenomena of multimedia communication and specifically the work in Editorial Design .

Therefore, this program will address the aspects that a designer needs to know in order to plan, develop and finalize a complete Editorial Design . An educational path that will scale the student's skills to help them achieve the challenges of a top professional.

The Postgraduate diploma in Editorial Design is presented as a viable option for a professional who decides to work independently but also to be part of any organization or company. An interesting avenue of professional development that will benefit from the specific knowledge that we now make available to you in this program.

This program will allow you to enhance your skills and update your knowledge in Editorial Design " 

This Postgraduate diploma in Editorial Design  contains the most complete and up-to-date program on the market. The most important features include:

• Development of a large number of case studies presented by experts
• Graphic, schematic, and highly practical contents 
• The latest developments and cutting-edge advances in this area
• Practical exercises where the self-evaluation process can be carried out to improve learning
• Innovative and highly efficient methodologies
• Theoretical lessons, questions to the expert, debate forums on controversial topics, and individual reflection assignments
• Content that is accessible from any fixed or portable device with an Internet connection

All the necessary knowledge for the graphic design professional in this field, compiled in a highly efficient Postgraduate diploma, which will optimize your effort with the best results"

The development of this program is focused on practicing the proposed theoretical learning Through the most effective teaching systems, proven methods imported from the most prestigious universities in the world, you will be able to acquire new knowledge in a practical way. In this way, we strive to convert your efforts into real and immediate skills.

Our online system is another strength of our approach to education. With an interactive platform that has the advantages of the latest technological developments, we put the most interactive digital tools at your service. This way, we can offer you a learning method that can be completely adapted to your needs, so that you can perfectly combine this program with your personal or professional life.

A practical and intensive program that will give you all the tools you need to work in this field, in a specific and concrete Postgraduate diploma"

A training program created to allow you to implement your acquired knowledge into your daily practice in an almost immediate way"

The structure of the contents has been designed by a team of professionals, aware of the current relevance of the program in order to advance in the labor market with confidence and competitiveness, and to practice the profession with excellence.

This Postgraduate diploma contains the most complete and up-to-date program on the market"

Module 1. Editorial Design 

1.1. Introduction to Editorial Design

1.1.1. What Is Editorial Design? 
1.1.2. Types of Publications in Editorial Design 
1.1.3. The Editorial Designer and their Skills
1.1.4. Factors of Editorial Design

1.2. History of Editorial Design 

1.2.1. The Research of Writing The Book in Ancient Times
1.2.2. The Gutenberg Revolution
1.2.3. The Bookstore of the Ancient Regime (1520-1760) 
1.2.4. The Second Book Revolution (1760 -1914)
1.2.5. From the 19th Century to the Present Day

1.3. Fundamentals of Print and Digital Editorial Design

1.3.1. The Format
1.3.2. The Grid
1.3.3. Typography
1.3.4. Color
1.3.5. The Graphic Elements

1.4. Printed Publishing Media

1.4.1. Work Fields and Formats
1.4.2. The Book and Its Elements: Headlines, Headings, Entries, Body of the Text
1.4.3. Manipulations: Folding and Binding
1.4.4. Printing 

1.5. Digital Publishing Media

1.5.1. Digital Publications 
1.5.2. Aspects of Form in Digital Publications
1.5.3. Most Used Digital Publications
1.5.4. Platforms for Digital Publishing

1.6. Introduction to InDesign I: First Steps

1.6.1. Interface and Workspace Customization
1.6.2. Panels, Preferences and Menus
1.6.3. The Flat Plan
1.6.4. New Document Creation and Saving Options

1.7. Initiation to InDesign II: Learning More about the Tool

1.7.1. Publishing Format
1.7.2. The Grid in the Workspace
1.7.3. The Base Grid and Its Importance
1.7.4. Using Rulers and Creating Guidelines Viewing Mode
1.7.5. The Panel and the Page tool The Master Pages
1.7.6. Work with Layers

1.8. Color and Image Management in InDesign

1.8.1. The Sample Palette Color and Shade Creation
1.8.2. Dropper Tool
1.8.3. Gradients
1.8.4. Image Organization and Color Management
1.8.5. Use of Bullets and Anchored Objects
1.8.6. Creation and Configuration of a Table

1.9. Text in InDesign

1.9.1. The Text: Choice of Fonts
1.9.2. Text Boxes and Their Options
1.9.3. Character Panel and Paragraph Panel
1.9.4. Insert Footnotes Tabulations

1.10. Editorial Project

1.10.1. List of Editorial Designers: Projects
1.10.2. Creation of a First Project in InDesign
1.10.3. What Elements Must Be Included? 
1.10.4. Thinking about the Idea

Module 2. Typography    

2.1. Introduction to Typography    

2.1.1. What Is Typography?        
2.1.2. The Role of Typography in Graphic Design    
2.1.3. Sequence, Contrast, Shape and Counter-Shape
2.1.4. Relationship and Differences between Typography, Calligraphy and Lettering

2.2. The Multiple Origin of Writing

2.2.1. Ideographic Writing
2.2.2. The Phoenician Alphabet    
2.2.3. The Roman Alphabet    
2.2.4. The Carolingian Reform    
2.2.5. The Modern Latin Alphabet        

2.3. The Beginnings of Typography

2.3.1. The Printing Press, a New Era First Typographers
2.3.2. The Industrial Revolution: Lithography
2.3.3. Modernism: The Beginnings of Commercial Typography
2.3.4. The Avant-Gardes    
2.3.5. Interwar Period        

2.4. The Role of Design Schools in Typography

2.4.1. Bauhaus    
2.4.2. Herbert Bayer
2.4.3. Gestalt Psychology    
2.4.4. The Swiss School    

2.5. Current Typography    

2.5.1. 1960-1970, Precursors of the Uprising
2.5.2. Postmodernity, Deconstructivism and Technology
2.5.3. Where Is Typography Heading?        
2.5.4. Trend-Setting Typefaces    

2.6. The Typographic Form I

2.6.1. Letter Anatomy    
2.6.2. Measurements and Attributes of the Type    
2.6.3. Typographic Families        
2.6.4. High Box, Low Box and Small Caps    
2.6.5. Difference between Typography, Font and Typeface Family
2.6.6. Fillets, Lines and Geometric Elements

2.7. The Typographic Form II

2.7.1. The Typographic Combination    
2.7.2. Typographic Font Formats (PostScript-TrueType-OpenType)
2.7.3. Typographic Licenses
2.7.4. Who Should Buy the License, Client or Designer?

2.8. Typographic Correction Text Composition

2.8.1. Space between Letters Tracking and Kerning    
2.8.2. Space between Words The Quad
2.8.3. Line Spacing
2.8.4. The Body of the Letter    
2.8.5. Text Attributes    

2.9. Drawing the Letters

2.9.1. The Creative Process    
2.9.2. Traditional and Digital Materials    
2.9.3. The Use of the Graphics Tablet and the Ipad
2.9.4. Digital Typography: Outlines and Bitmaps    

2.10. Typographic Posters

2.10.1. Calligraphy as a Basis for Letter Drawing
2.10.2. How to Create an Impactful Typesetting?
2.10.3. Visual References    
2.10.4. Sketching Phase    
2.10.5. Project    

Module 3. Layout    

3.1. Definition and Contextualization

3.1.1. Relationship between Editorial Design and Layout
3.1.2. Evolution in the Layout Process The Future
3.1.3. Design Factors: Proportion, Color, Tension, Balance and Motion
3.1.4. The Importance of Blank Spaces 

3.2. Magazine Editorial Design

3.2.1. Magazines, the Pinnacle of Beauty
3.2.2. Types of Magazine Designs References 
3.2.3. Digital Magazines and Their Current Importance
3.2.4. Publishing Elements 

3.3. Newspaper Editorial Design

3.3.1. Newspapers, between Information and Graphical Beauty
3.3.2. How to Differentiate in Generalist Information
3.3.3. Newspaper Formats
3.3.4. Editorial Tendencies References 

3.4. Introduce Advertising in the Layout Process 

3.4.1. What Is Advertising? Types
3.4.2. Advantages and Disadvantages of Including Advertising in a Layout
3.4.3. How to Introduce Advertising in Printed Media? 
3.4.4. How to Introduce Advertising in Digital Media? 

3.5. The Choice of Font

3.5.1. Editorial Fonts
3.5.2. The Importance of Size
3.5.3. Typography in Printed Media
3.5.4. Typography in Digital Media

3.6. Orthotypography

3.6.1. What Is Orthotypography? 
3.6.2. Microtypography and Macrotypography 
3.6.3. Importance of Orthotypography 
3.6.4. Mistakes in Orthotypography

3.7. Layout Design in Social Networks? 

3.7.1. The Field of Layout Design in Social Media
3.7.2. The Hashtag and Is Importance
3.7.3. The Instagram Biography
3.7.4. Grids on Instagram

3.8. Copywriting

3.8.1. What Is Copywriting? 
3.8.2. Simplify the Copy. The First Impact Is What Counts
3.8.3. Applications of Copywriting
3.8.4. Become a Good Copywriter

3.9. Learning More about the Use of InDesign

3.9.1. Adding Text to a Layout
3.9.2. Using the Character and Paragraph Panel
3.9.3. Differences between Underlined Text and Paragraph Fillets
3.9.4. Control of Widow and Orphan Lines 
3.9.5. Orthotypography View Hidden Characters

3.10. Layout Design Projects

3.10.1. Creating a Magazine in InDesign
3.10.2. Aspects to Take into Account
3.10.3. Visual References: Great Layouts on Instagram
3.10.4. Updating Instagram with a Layout Strategy

Module 4. Final Art    

4.1. Introduction to Final Art 

4.1.1. What Is Final Art? 
4.1.2. The Start of Final Art
4.1.3. The Evolution of Final Art
4.1.4. Basic Tools

4.2. Elements Required for Printing

4.2.1. Support
4.2.2. Coloring Material
4.2.3. The Shape
4.2.4. The Machines

4.3. Planographic Printing

4.3.1. What Is Planographic Printing? 
4.3.2. Offset Systems
4.3.3. Properties of Offset Printing Systems
4.3.4. Advantages and Disadvantages

4.4. Gravure Printing

4.4.1. What Is Gravure Printing? 
4.4.2. Rotogravure
4.4.3. Properties of Rotogravure Printing Systems
4.4.4. Finishing

4.5. Embossed Printing

4.5.1. What Is Embossed Printing? 
4.5.2. Typographic Cliches and Flexographic Cliches
4.5.3. Properties
4.5.4. Finishes

4.6. Permeography Printing

4.6.1. What Is Permeography Printing? 
4.6.2. Screen Printing
4.6.3. Physicochemical Properties of Screen-Printing Stencils
4.6.4. Advantages and Disadvantages

4.7. Digital Printing

4.7.1. What Is Digital Printing? 
4.7.2. Advantages and Disadvantages
4.7.3. Offset or Digital Printing? 
4.7.4. Digital Printing Systems

4.8. Exploring the Formats

4.8.1. Paper Format
4.8.2. Rigid Format
4.8.3. Textile format
4.8.4. Others

4.9. Binding

4.9.1. What Does Binding Consist Of? 
4.9.2. Industrial Binding
4.9.3. Tradition Lives On
4.9.4. Types of Binding

4.10. Preparing Final Arts Environmental Considerations

4.10.1. The PDF Format: Adobe Acrobat
4.10.2. The Preflight Checking Color, Typography, Measurements, etc.
4.10.3. Think before Printing The Environmental Impact
4.10.4. Sustainable Printing Formats

A unique, key, and decisive program to boost your professional development”