Printing is the most common and sought after technique in textile design. Enroll now and discover how your career can progress immediately" 

The textile design industry comprises a series of economic and professional sectors, techniques and raw materials that, together, involve an enormous amount of material and human resources. Therefore, each method, each material and each job requires experts who are perfectly familiar with its specific characteristics.

One of the most important techniques in this industry is printing. Although it is often referred to as a single procedure, it actually brings together many types, each with its own details and differences. Therefore, in order to be able to adapt to what the industry and companies demand, it is necessary to know them all.

Because of this, this Postgraduate Diploma in Textile Printing offers its students specific knowledge to understand and manage all the pre-printing treatments that can be performed, what machinery is used, how color is applied for dyeing, what materials are used throughout the process and how to make different decorative designs. 

Large textile companies are looking for printing specialists: you could be one of them” 

This Postgraduate diploma in Textile Printing contains the most complete and up-to-date program on the market. Its most notable features are:

• Practical cases presented by experts in fashion and printing 
• Special emphasis on specific knowledge in textile printing and design in order to provide students with a comprehensive learning experience
• Practical exercises where self-assessment can be used to improve learning 
• Use of innovative teaching methodologies 
• Theoretical lessons, questions to the expert, debate forums on controversial topics, and individual reflection assignments 
• Content that is accessible from any fixed or portable device with an Internet connection 

Most of the garments you can find in the big fashion chains have undergone a printing process: it is one of the most important techniques and you could specialize in it” 

The program’s teaching staff includes professionals from the sector who contribute the experience of their work to this program, in addition to recognized specialists from prestigious reference societies and universities.

The multimedia content, developed with the latest educational technology, will provide the professional with situated and contextual learning, i.e., a simulated environment that will provide immersive learning programmed to train in real situations.

This program is designed around Problem-Based Learning, whereby the professional must try to solve the different professional practice situations that arise throughout the program. For this purpose, the student will be assisted by an innovative interactive video system created by renowned and experienced experts.

Take a big step in your career in the textile industry with this program"

The textile industry demands professionals with extensive knowledge who are proficient in a wide range of techniques. Study this program and become an essential part of your company"

This program has been designed by leading experts in Textile Printing and consists of 3 modules, each divided into 10 topics, through which students will be able to learn issues such as color theory, so they can apply it to their creations, digital design tools with which to plan their creations and printing techniques themselves, as well as the materials to be used, machinery and the use of inks. 

The best content to help you become a specialist in textile printing”

Module 1. Colorimetry

1.1. Color Theory

1.1.1. Perception of Form and Space
1.1.2. Color. Definition
1.1.3. Color perception
1.1.4. Color Properties or Dimensions
1.1.5. Color Classification

1.2. Color Perception

1.2.1. The Human Eye
1.2.2. Color Vision
1.2.3. Variables in Color Perception
1.2.4. Non-Visual Color Perception 

1.3. Color Modeling and Standardization

1.3.1. History of Color

1.3.1.1. First Theories
1.3.1.2. Leonardo Da Vinci
1.3.1.3. Isaac Newton
1.3.1.4. Moses Harris
1.3.1.5. Goethe
1.3.1.6. Runge
1.3.1.7. Chevreul
1.3.1.8. Rood
1.3.1.9. Munsell
1.3.1.10. Ostwald

1.3.2. Visual Perception

1.3.2.1. Absorption and Reflection
1.3.2.2. Pigment Molecules

1.3.3. Color Attributes

1.3.3.1. Tone
1.3.3.2. Luminance
1.3.3.3. Saturation

1.3.4. Warm and Cool Colors
1.3.5. Harmony in Colors
1.3.6. Contrast
1.3.7. Color Effects

1.3.7.1. Size
1.3.7.2. Transparency, Weight and Mass

1.4. Semiotics and Semantics of Color

1.4.1. Semiotics of Color
1.4.2. Color Description
1.4.3. Colors: Material, Light, Perceptions, Sensations.
1.4.4. Color and Material
1.4.5. The Truth of a Color
1.4.6. Color perception
1.4.7. The Weight of a Color
1.4.8. The Color Dictionary

1.5. Color in Design

1.5.1. Chromatic Trends
1.5.2. Graphic Design
1.5.3. Interior Design 
1.5.4. Architecture
1.5.5. Landscape Design
1.5.6. Fashion Design

1.6. Composition 

1.6.1. General Aspects

1.6.1.1. Codes Used
1.6.1.2. Originality and Banality
1.6.1.3. Degree of Iconicity and Abstraction

1.6.2. Configurational Organization of the Image: Relation between Background and Figure
1.6.3. Configurational Organization of the Image: Gestalt Laws
1.6.4. Configurational Organization of the Image: Systems of Spatial Organization

1.6.4.1. Balance: Static or Dynamic. Focal or Orthogonal System
1.6.4.2. Proportion
1.6.4.3. Symmetry
1.6.4.4. Movement and Rhythm

1.6.5. Field Study

1.7. Image Functions

1.7.1. Representative 

1.7.1.1. Cartographic 
1.7.1.2. Scientist 
1.7.1.3. Architectural 
1.7.1.4. Projectual

1.7.2. Persuasive
1.7.3. Artistic

1.8. Color Psychology

1.8.1. Warm Colors and Cool Colors
1.8.2. Physiological Effects
1.8.3. Color Symbolism
1.8.4. Personal Color Preferences
1.8.5. Emotional Effects
1.8.6. Local Color and Expressive

1.9. The Meaning of Color

1.9.1. Blue
1.9.2. Red
1.9.3. Yellow
1.9.4. Green
1.9.5. Black
1.9.6. White
1.9.7. Orange
1.9.8. Violet
1.9.9. Pink
1.9.10. Gold
1.9.11. Silver
1.9.12. Brown
1.9.13. Gray

1.10. Color Use

1.10.1. Sources of Dyes and Pigments
1.10.2. Lighting
1.10.3. Mixture of Oils and Acrylics
1.10.4. Glazed Ceramics
1.10.5. Colored Glass
1.10.6. Color Printing
1.10.7. Color Photography

Module 2. Digital Tools in Design

2.1. Introduction to Digital Imaging

2.1.1. ICT
2.1.2. Description of Technologies
2.1.3. Commands

2.2. Vector image. Working with Objects

2.2.1. Selection Tools
2.2.2. Grouping
2.2.3. Align and Distribute
2.2.4. Intelligent Guides
2.2.5. Symbolism
2.2.6. Transform
2.2.7. Distortion
2.2.8. Enclosures
2.2.9. Tracehunter
2.2.10. Compound Forms
2.2.11. Compound Plots
2.2.12. Cutting, Splitting and Separating 

2.3. Vector image. Color

2.3.1. Color Modes
2.3.2. Dropper Tool
2.3.3. Samples
2.3.4. Gradients
2.3.5. Motif Filling
2.3.6. Appearance Panel
2.3.7. Attributes

2.4. Vector image. Advanced Editing

2.4.1. Gradient Mesh
2.4.2. Transparency Panel
2.4.3. Fusion Modes
2.4.4. Interactive Tracing
2.4.5. Clipping Masks
2.4.6. Text: 

2.5. Image Bitmap. The Layers

2.5.1. Creation 
2.5.2. Liaison
2.5.3. Transformation
2.5.4. Grouping
2.5.5. Adjustment Layers

2.6. Image Bitmap. Selections, Masks and Channels

2.6.1. Frame Selection Tool
2.6.2. Lasso Selection Tool
2.6.3. Magic Wand Tool
2.6.4. Menu Selections. Color Range
2.6.5. Channels
2.6.6. Mask Retouching
2.6.7. Clipping Masks
2.6.8. Vector Masks

2.7. Image Bitmap. Blending Modes and Layer Styles

2.7.1. Layer Styles
2.7.2. Lens opacity
2.7.3. Layer Style Options
2.7.4. Fusion Modes
2.7.5. Examples of Fusion Modes

2.8. The Editorial Project. Types and Forms

2.8.1. The Editorial Project
2.8.2. Typologies of the Editorial Project 
2.8.3. Document Creation and Configuration

2.9. Compositional Elements of the Editorial Project

2.9.1. Master Pages 
2.9.2. Reticulation
2.9.3. Text Integration and Composition
2.9.4. Image Integration 

2.10. Layout, Export and Printing

2.10.1. Layout 

2.10.1.1. Photo Selection and Editing
2.10.1.2. Preliminary Check 
2.10.1.3. Packaging.

2.10.2. Export

2.10.2.1. Export for Digital Media
2.10.2.2. Export for Physical Media

2.10.3. Print

2.10.3.1. Traditional Printing

2.10.3.1.1. Binding

2.10.3.2. Digital Printing

Module 3. Textile Printing Methods 

3.1. History of Print

3.1.1. History of Print
3.1.2. Evolution of Prints
3.1.3. Printing Systems

3.2. Previous Treatment

3.2.1. Gassing 
3.2.2. Thermosetting
3.2.3. Unglued
3.2.4. Scouring
3.2.5. Bleaching
3.2.6. Mercerized
3.2.7. Antipilling
3.2.8. Carbonized
3.2.9. Decorated
3.2.10. Washing
3.2.11. Hydro-Extraction
3.2.12. Drying
3.2.13. Opening of Tubular Knitted Fabrics

3.3. Dyeing

3.3.1. Dyeing by Discontinuous System
3.3.2. Dyeing by Continuous System
3.3.3. Defects of Bad Dyeing

3.4. Machinery

3.4.1. Discontinuous Processes
3.4.2. Foulard Impregnated Dyeing
3.4.3. Semi-Continuous Processes

3.5.Insumos

3.5.1. Water
3.5.2. Chemical Products
3.5.3. Auxiliary Products
3.5.4. Dyes
3.5.5. Enzymes
3.5.6. Optical Brighteners

3.6. Examples of Processes

3.6.1. Cotton Processing
3.6.2. Polyester Processing
3.6.3. Wool Dyeing
3.6.4. Acrylic Fiber Dyeing
3.6.5. Optical Brightening

3.7. Color

3.7.1. Color Study
3.7.2. Modification of Attribute of Color
3.7.3. Instruments for Measuring Color

3.8. Quality Control in Dyed Textiles

3.8.1. Visual Assessment of Color
3.8.2. Color Difference Assessment
3.8.3. Spectrophotometry
3.8.4. Dye Bath Control
3.8.5. Solidity of Colors

3.9. Natural Dyes

3.9.1. Historical Background of Natural Dyes
3.9.2. Natural Dyes
3.9.3. Techniques for the Application of Natural Dyes to Different Materials and Surfaces
3.9.4. Reserve Techniques
3.9.5. The HP (Hydrogen Potential)
3.9.6. Materials and Tools for the Natural Dyes Workshop
3.9.7. Pigment Extraction Techniques
3.9.8. Dye Conservation
3.9.9. Bleaches
3.9.10. Fixatives or Mordants
3.9.11. Intonators
3.9.12. Dye Plants

3.10. Print

3.10.1. Printing Techniques
3.10.2. Materials to Print
3.10.3. Styles of Print
3.10.4. Embroidery and Manipulation of the Fabric
3.10.5. Embroidery Techniques
3.10.6. Decoration

When you finish this program, you will be a highly-demanded professional in the industry and you will excel in your career quickly”