Quickly and efficiently learn the basics of the use of color and the main design materials used, becoming an expert in product finishing thanks to this program" 

Color and material are two of the main elements which make up a design. Therefore, these issues will determine to a large extent their visual appearance and usability, so, depending on the specific product in question, choosing them correctly is essential. However, there are not many specialists who know the particularities of color and its impact on people and buyers. Similarly, material selection is sometimes treated as a secondary aspect of the design, a decision that can lead to project failure. 

For that reason, this Postgraduate diploma provides the professional with the most complete and up-to-date content in this field, so that, upon completing the course, they will be capable of choosing the best options for each initiative. In this way, their designs will be even closer to success. Throughout this program, the student will be able to integrate the most recent innovations into their daily work, dealing with questions such as the properties of color, its psychology and harmony, or intelligent and dynamic materials. 

The program takes place through an online learning method, allowing the student to continue carrying out their professional work without interruptions, fixed schedules or inconvenient travel. In addition, the student will have access to the best multimedia resources: videos, interactive summaries, master classes and practical activities, among others. With these, the teaching will be a lot more simple and effective, guaranteeing that students make the most of each minute invested in the course. 

This program is presented using a 100% online methodology so it can be fully adapted to your personal and professional circumstances”   

This Postgraduate diploma in CMF Design (Color, Material and Finish) contains the most complete and up-to-date educational program on the market. The most important features include:

• Practical cases presented by experts in design
• The graphic, schematic, and eminently practical contents with which they are created, provide scientific and practical information on the disciplines that are essential for professional practice
• Practical exercises where self-assessment can be used to improve learning
• Special emphasis on innovative methodologies
• Theoretical lessons, questions to the expert, debate forums on controversial topics, and individual reflection assignments
• Content that is accessible from any fixed or portable device with an Internet connection

Become a great specialist in the use of color and materials thanks to this program, specifically created to boost your professional career”   

The program’s teaching staff includes professionals from the sector who contribute their work experience to this training program, as well as renowned specialists from leading societies and prestigious universities.  

The multimedia content, developed with the latest educational technology, will provide the professional with situated and contextual learning, i.e., a simulated environment that will provide immersive training programmed to train in real situations.  

This program is designed around Problem Based Learning, whereby the professional must try to solve the different professional practice situations that arise during the academic year. For this purpose, the student will be assisted by an innovative interactive video system created by renowned and experienced experts.   

Every minute you invest in this degree will be put to good use thanks to its cutting-edge educational technology"

Learn how to perform all kinds of tests to find the perfect material for your design thanks to this Postgraduate diploma"

The contents of this Postgraduate diploma in CMF Design (Color, Material and Finish)) have been structured in 3 specialized modules. This will allow the professional to delve into issues such as: models and standardization of color, color applied to landscape design, properties and composition of materials, destructive and non-destructive testing or regulations and legislation on risk prevention when working with various materials. 

In this program you will find all the keys to product design based on color and material"  

Module 1. Color and Shape

1.1.     Color Theory

1.1.1.     Perception of Shape and Space
1.1.2.     Color. Definition
1.1.3.     Perception of Color
1.1.4.     Properties and Dimensions of Color
1.1.5.     Classification of Color

1.2.     Color Perception

1.2.1.     The Human Eye
1.2.2.     Vision of Colors
1.2.3.     Variable in Color Perception
1.2.4.     Non-Visual Perception of Color

1.3.     Models and Standardization of Color

1.3.1.     History of Color

1.3.1.1. Primary Theories
1.3.1.2. Leonardo Da Vinci
1.3.1.3. Isaac Newton
1.3.1.4. Moses Harris
1.3.1.5. Goethe
1.3.1.6. Runge
1.3.1.7. Chevreul
1.3.1.8. Rood
1.3.1.9. Munsell
1.3.1.10. Ostwald

1.3.2.     Visual Perception

1.3.2.1. Absorption and Reflection
1.3.2.2. Pigmentation Molecules

1.3.3.     Color Attributes

1.3.3.1. Tone
1.3.3.2. Luminance
1.3.3.3. Saturation

1.3.4.     Hot and Cold Colors
1.3.5.     Harmony in Colors
1.3.6.     Contrast
1.3.7.     Effects of Color

1.3.7.1. Size
1.3.7.2. Transparency, Weight and Mass

1.4.     Semiotics and Semantics of Color

1.4.1.     Semiotics of Color
1.4.2.     Description of Color
1.4.3.     Colors: Material, Lights, Perceptions and Sensations
1.4.4.     Color and Material 
1.4.5.     The Truth of a Color
1.4.5.     Perception of Color
1.4.6.     Weight of a Color
1.4.7.     Dictionary of a Color

1.5.     Color in the Design

1.5.1.     Chromatic Trends
1.5.2.     Graphic Design
1.5.3.     Interior Design
1.5.4.     Architecture
1.5.5.     Landscape Design
1.5.6.     Fashion Design

1.6.     Composition

1.6.1.     General aspects

1.6.1.1. Codes Used
1.6.1.2. Degree of Originality and Banality
1.6.1.3. Degree of Iconicity and Abstraction

1.6.2.     Configurational Organization of the Image: Relationship Between the Background and the Figure
1.6.3.     Configurational Organization of the Image: Gestalt Laws
1.6.4.     Configurational Organization of the Image: Relationship Between the Background and the Figure

1.6.4.1. Balance: Static or Dynamic. Focal or Orthogonal System
1.6.4.2. Proportions
1.6.4.3. Symmetry
1.6.4.4. Movement and Rhythm

1.6.5.     Field Study

1.7.     Functions of the Image

1.7.1.     Representation

1.7.1.1. Cartographic
1.7.1.2. Science
1.7.1.3. Architectural
1.7.1.4. Projectual

1.7.2.     Persuasive
1.7.3.     Artist

1.8.     Psychology of Color

1.8.1.     Warm and Cold Colors
1.8.2.     Physiological Effects
1.8.3.     Symbolism of Colors
1.8.4.     Personal Preferences on Colors
1.8.5.     Emotionals Effects
1.8.6.     Local and Expressive Color

1.9.     Meaning of Color

1.9.1.     Blue
1.9.2.     Red
1.9.3.     Yellow
1.9.4.     Green
1.9.5.     Black
1.9.6.     White
1.9.7.     Orange
1.9.8.     Purple
1.9.9.     Pink
1.9.10.     Gold
1.9.11.     Silver
1.9.12.     Brown
1.9.13.     Gray

1.10.     Use of Color

1.10.1.     Sources of Dyes and Pigments
1.10.2.     Lighting
1.10.3.     Mixture of Oils and Acrylics
1.10.4.     Glazed Ceramics
1.10.5.     Colored Glass
1.10.6.     Color Printing
1.10.7.     Photography in Color

Module 2. Materials

2.1.     Properties of the Materials

2.1.1.     Mechanical Properties
2.1.2.     Electrical Properties
2.1.3.     Optic Properties
2.1.4.     Magnetic Properties

2.2.     Metallic Materials I. Ferrous
2.3.     Metallic Materials II. Non- Ferrous
2.4.     Polymeric Materials

2.4.1.     Thermoplastics
2.4.2.     Thermosetting Plastics

2.5.     Ceramic Materials
2.6.     Compound Materials
2.7.     Biomaterials
2.8.     Nanomaterials
2.9.     Corrosion and Degradation of Materials

2.9.1.     Types of Corrosion
2.9.2.     Oxidation of Metals
2.9.3.     Corrosion Control

2.10.     Non-Destructive Tests

2.10.1.     Visual Inspections and Endoscopies
2.10.2.     Ultrasound
2.10.3.     Radiographies
2.10.4.     Eddy Currents
2.10.5.     Magnetic Particles
2.10.6.     Penetrating Liquids
2.10.7.     Infra Red Thermography

Module 3. Design Materials

3.1.     Material as Inspiration

3.1.1.     The Search for Materials
3.1.2.     Classification
3.1.3.     Material and its Context

3.2.     Design Materials

3.2.1.     Common Uses
3.2.2.     Contraindications
3.2.3.     Combination of Materials

3.3.     Art and Innovation

3.3.1.     Materials in Art
3.3.2.     New Materials
3.3.3.     Compound Materials

3.4.     Physical

3.4.1.     Basic Concepts
3.4.2.     Properties of the Materials
3.4.3.     Mechanical Tests

3.5.     Technology

3.5.1.     Intelligent Materials
3.5.2.     Dynamic Materials
3.5.3.     The Future in Materials

3.6.     Sustainability

3.6.1.     Procurement
3.6.2.     Use
3.6.3.     Final Management

3.7.     Biomimicry

3.7.1.     Reflection
3.7.2.     Transparency
3.7.3.     Other techniques

3.8.     Innovation

3.8.1.     Success Stories
3.8.2.     Research in Materials
3.8.3.     Sources of Research

3.9.     Risk Prevention

3.9.1.     Safety Factor
3.9.2.     Fire
3.9.3.     Breakage
3.9.4.     Other Risks

3.10.     Regulations and Legislation

3.10.1.     Regulations According to Application
3.10.2.     Regulations According to Sector
3.10.3.     Regulations According to Location

Its flexible and innovative teaching methodology is combined with the most advanced content in the field. This Postgraduate diploma is your best opportunity to progress professionally”