Image and fashion are intimately related, so professionals in the sector must specialize with programs of this type to get the best out of their designs" 

Image is becoming increasingly important in society. The cult of beauty and the importance of having an image that meets today's standards has benefited the fashion industry, since the influence of this sector in society is becoming more relevant every day. Therefore, designers must not only think of attractive creations for the public, but also design a global image of the product to be sold. TECH Global University aims, with this Postgraduate diploma, to improve the training of professionals in an essential area, which is closely linked to fashion. 

To this end, the Postgraduate diploma in Fashion Image includes in its syllabus historical aspects of contemporary art that have some link with the fashion industry, drawing linked to clothing and accessories, as well as the theory of aesthetics and the arts. Fundamental issues with regard to achieving professional success in the field of fashion design. 

In this way, TECH Global University intends to meet the objective of high specialization demanded by fashion designers, who are looking for high quality programs to increase their training and offer users garments that become indispensable for their closet. And, to achieve this goal, it offers a cutting-edge program adapted to the latest developments in the sector, with an absolutely current agenda and carried out by experienced professionals, willing to put all their knowledge at the disposal of their students. 

It should be noted that, being a 100% Postgraduate diploma, students will not be conditioned by fixed schedules or the need to move to another physical location, but will be able to access all the contents at any time of the day, balancing their work and personal life with their academic one. 

Achieve professional excellence in a sector as competitive as the fashion industry, thanks to the superior qualification offered by TECH"

This Postgraduate diploma in Fashion Image contains the most complete and up-to-date program on the market. The most important features include:

• The development of practical cases presented by experts in fashion 
• The graphic, schematic, and practical contents with which they are created, provide practical information on the disciplines that are essential for professional practice 
• Practical exercises where self-assessment can be used to improve learning
• Special emphasis on innovative methodologies in Fashion Image 
• Theoretical lessons, questions to the expert, debate forums on controversial topics, and individual reflection assignments
• Content that is accessible from any fixed or portable device with an Internet connection

You've always wanted to have in-depth knowledge of fashion as an art and this is your best chance to get it” 

Its teaching staff includes professionals from the fashion industry, who bring to this program the experience of their work, as well as renowned specialists from leading societies and prestigious universities.

Its multimedia content, developed with the latest educational technology, will allow professionals to learn in a contextual and situated learning environment, i.e., a simulated environment that will provide immersive specialization for real situations.

The design of this program focuses on Problem-Based Learning, by means of which professionals must try to solve the different professional practice situations that are presented to them throughout the academic course. For this purpose, professionals will be assisted by an innovative interactive video system created by renowned and experienced experts. 

Study this program and become a specialist in Fashion Image"

Learn everything that historically and mediatically surrounds fashion"

The content of this Postgraduate diploma covers in a structured way all the areas of knowledge that the fashion professional needs to know in depth, including the most interesting news and updates in the sector. A high-quality program that will allow students to compete with solvency and sufficient capacity in a highly competitive industry. To this end, the syllabus has been designed by professionals with extensive experience, who have captured all their expertise in a program that will be indispensable in the curriculum of professionals of the 21st century. 

A complete syllabus designed to specialize in Fashion Image with the latest contents of the moment" 

Module 1. History of Contemporary Art 

1.1. Fauvism 

1.1.1. Origin and Influences 
1.1.2. Features 
1.1.3. Road Works 
1.1.4. Main Representatives 

1.2. Expressionism 

1.2.1. Origin and Influences 
1.2.2. Features 
1.2.3. Road Works 
1.2.4. Main Representatives 

1.3. Futurism 

1.3.1. Origin and Influences 
1.3.2. Features 
1.3.3. Road Works 
1.3.4. Main Representatives 

1.4. Abstract Art 

1.4.1. Origin and Influences 
1.4.2. Features 
1.4.3. Road Works 
1.4.4. Main Representatives 

1.5. Constructivism 

1.5.1. Origin and Influences 
1.5.2. Features 
1.5.3. Road Works 
1.5.4. Main Representatives 

1.6. Dadaism

1.6.1. Origin and Influences
1.6.2. Features
1.6.3. Road Works
1.6.4. Main Representatives 

1.7. Surrealism 

1.7.1. Origin and Influences 
1.7.2. Features 
1.7.3. Road Works 
1.7.4. Main Representatives 

1.8. First Artistic Currents of Post-Conceptual Art

1.8.1. Informalism 
1.8.2. New Figuration 
1.8.3. Kinetic Art 
1.8.4. Pop Art 
1.8.5. New Realism 
1.8.6. Action Art 

1.9. Second Artistic Currents of Post-Conceptual Art 

1.9.1. Minimalism 
1.9.2. Hyperrealism 
1.9.3. Conceptual Art 
1.9.4. Postmodernity 
1.9.5. Street Art 
1.9.6. Land Art 

1.10. Actuality of Post-Conceptual Art 

1.10.1. Pop Art 
1.10.2. Object Art 
1.10.3. Body Art 
1.10.4. Performance 
1.10.5. Facilities

Module 2. Theory of Aesthetics and the Arts 

2.1. Origin and Antiquity of Aesthetics 

2.1.1. Definition of Aesthetics 
2.1.2. Platonism 
2.1.3. Aristotelianism 
2.1.4. Neoplatonism 

2.2. Mimesis, Poiesis and Katharsi 

2.2.1. Mimesis 
2.2.2. Poiesis 
2.2.3. Kátharsi 

2.3. Middle and Modern Ages 

2.3.1. Scholasticism 
2.3.2. The Renaissance 
2.3.3. Mannerism 
2.3.4. Baroque 
2.3.5. Rationalism 
2.3.6. Empiricism 
2.3.7. Enlightenment 
2.3.8. Idealism 

2.4. The Definition of Art Today 

2.4.1. Art 
2.4.2. The Artist 
2.4.3. Taste and Critique 
2.4.4. Fine Arts 

2.5. Fine Arts

2.5.1. Architecture 
2.5.2. Sculpture 
2.5.3. Painting 
2.5.4. Music 
2.5.5. Poetry 

2.6. Aesthetics and Reflection 

2.6.1. Positivist Aesthetics 
2.6.2. Idealist Aesthetics 
2.6.3. Critical Aesthetics 
2.6.4. Libertarian Aesthetics 

2.7. Aesthetics and Ethics 

2.7.1. Illustration 
2.7.2. Idealism 

2.7.2.1. Kant 
2.7.2.2. Schiller, Fichte, Schelling 
2.7.2.3. Hegel 

2.7.3. Romanticism 

2.7.3.1. Kierkegaard, Schopenhauer y Wagner 
2.7.3.2. Nietzsche 

2.8. Aesthetics and Taste 

2.8.1. Aesthetic Taste as an Illustrated Theoretical Statute 
2.8.2. A Taste for Impact 
2.8.3. The Aestheticization of Taste 

2.9. Contemporary Aesthetics 

2.9.1. Formalism 
2.9.2. Iconology 
2.9.3. Neoidealism 
2.9.4. Marxism 
2.9.5. Pragmatism 
2.9.6. Noucentisme 
2.9.7 Raciovitalism 
2.9.8. Logical Empiricism 
2.9.9. Semiotics 
2.9.10. Phenomenology 
2.9.11. Existentialism 
2.9.12. Postmodern Aesthetics 

2.10. Aesthetic Categories 

2.10.1. Beauty 
2.10.2. Ugliness 
2.10.3. Sublime 
2.10.4. Tragic 
2.10.5. Comical 
2.10.6. Grotesque

Module 3. Magazines

3.1. What is a Magazine 

3.1.1. Introduction 
3.1.2. What is a Magazine. Its Specificities and the Publishing Market 
3.1.3. Specificities of the Magazine 
3.1.4. Magazine Market: General Issues 
3.1.5. Large Magazine Publishing Groups 

3.2. The Magazine Reader 

3.2.1. Introduction 
3.2.2. The Magazine Reader 
3.2.3. Finding and Building Reader Loyalty 
3.2.4. The Print Magazine Reader 
3.2.5. The Digital Magazine Reader 
3.2.6. Readership and Advertising 

3.3. Creation and Life of a Magazine 

3.3.1. Introduction 
3.3.2. The Creation of a Magazine 
3.3.3. The Name 
3.3.4. The Life Cycle of a Magazine 

3.4. Segmentation and Specialization of Magazines 

3.4.1. Introduction 
3.4.2. Segmentation and Specialization of Magazines 
3.4.3. Types of Magazine 

3.4.3.1. Cultural Magazines 
3.4.3.2. Gossip Magazines 
3.4.3.3. Supplements 

3.5. Structure and Contents of the Magazines 

3.5.1. Introduction 
3.5.2. The Headline 
3.5.3. Structure 
3.5.4. Contents 

3.6. Birth and Development of Magazines in Europe and the USA 

3.6.1. Introduction 
3.6.2. The Beginnings: Between the 16th and 18th Centuries. From the Relations to the Gazettes 
3.6.3. The 19th Century in Europe 
3.6.4. Balance of the 19th Century 

3.7. The Twentieth Century: The Consolidation of the Modern Magazine 

3.7.1. Introduction 
3.7.2. The First Decades of the Twentieth Century in European Magazines 
3.7.3. The United States Between the Twenties and the Sixties: The Second Magazine Boom 
3.7.4. Europe after the Second World War: Magazines from the 1940s Onwards 
3.7.5. From the 1960s Onwards: The Revamped magazine 

3.8. Milestones in the History of American Magazines 

3.8.1. Introduction 
3.8.2. National Geographic, a Milestone in the History of Popular Magazines
3.8.3. Time, a Milestone in Weekly Newsmagazines 
3.8.4. Reader's Digest, a Milestone in Magazine Magazines 
3.8.5. The New Yorker, a Milestone in Opinion and Culture Magazines

3.9. Magazines in Europe 

3.9.1. Introduction 
3.9.2. Dissemination 
3.9.3. Top Magazines by Country 

3.10. Magazines in Latin America 

3.10.1. Introduction 
3.10.2. Origin 
3.10.3. Top Magazines by Country 

Take a tour of the Fashion Image and acquire the skills you need to excel in the industry"