The creation of garments is a complex task that requires a high level of specialization, but also ingenuity and creativity. With this Postgraduate diploma, you will learn the keys to successfully manage in this field" 

In a sector in constant growth and evolution as the fashion industry, specializing in Styling and Clothing is essential to know those little details that make the difference and will make a collection succeed in the market. Undoubtedly, nowadays, higher specialization is a demand in almost any sector, and, in fashion, it cannot be left aside. For this reason, TECH Global University has created this Postgraduate diploma in Styling and Clothing, with a highly up-to-date program focused on the history of Clothing, Fashion and Styling. 

In this way, students will have access to a multitude of theoretical and practical resources, thanks to which they will be able to learn first-hand how the evolution of clothing has been until reaching the current concept and uses. In this way, they will review from prehistoric costumes to the most current dresses of the most renowned designers. 

With all this, TECH Global University aims to meet the high specialization objective demanded by fashion designers, who are looking for high quality programs to increase their education and offer users garments that become indispensable for their closet. And, to achieve this goal, it offers a cutting-edge program adapted to the latest developments in the sector, with an absolutely current syllabus and carried out by experienced professionals, willing to put all their knowledge at the disposal of their students. It should be noted that, being a 100% online Postgraduate diploma, students will not be conditioned by fixed schedules or the need to move to another physical location, but will be able to access all the contents at any time of the day, balancing their work and personal life with their academic one.

Access to a multitude of practical cases and specialize to work in a cutting-edge sector"

This Postgraduate diploma in Styling and Clothing contains the most complete and up-to-date program on the market. The most important features include:

• The development of practical cases presented by experts in fashion
• The graphic, schematic, and practical contents with which they are created, provide practical information on the disciplines that are essential for professional practice
• Practical exercises where self-assessment can be used to improve learning
• Special emphasis on innovative methodologies in Styling and Clothing
• Theoretical lessons, questions to the expert, debate forums on controversial topics, and individual reflection assignments
• Content that is accessible from any fixed or portable device with an Internet connection

TECH provides you with the most relevant information on Styling and Clothing so that you can enter a sector of great importance in Fashion Design" 

Its teaching staff includes professionals from the fashion industry, who bring to this program the experience of their work, as well as renowned specialists from leading societies and prestigious universities. 

Its multimedia content, developed with the latest educational technology, will allow professionals to learn in a contextual and situated learning environment, i.e., a simulated environment that will provide immersive specialization for real situations. 

The design of this program focuses on Problem-Based Learning, by means of which professionals must try to solve the different professional practice situations that are presented to them throughout the academic year. For this purpose, professionals will be assisted by an innovative interactive video system created by renowned and experienced experts. 

The fashion industry is a very competitive sector, so the higher specialization of professionals will be a plus for their employability"

This online program will allow you to organize your study time and self-manage your learning"

The content of this Postgraduate diploma covers in a structured way all the areas of knowledge that the fashion professional needs to know in depth, including the most interesting news and updates in the sector. A high-quality study that will allow students to compete with solvency and sufficient capacity in a highly competitive industry. To this purpose, the syllabus has been designed by professionals with extensive experience, who have captured all their expertise in a program that will be indispensable in professionals’ résumés in the 21st century. 

A complete syllabus designed to specialize in Styling and Clothing with the latest content of the moment" 

Module 1. History of Clothing 

1.1. Prehistory 

1.1.1. Introduction 
1.1.2. Prehistoric Civilizations 
1.1.3. Trade in Prehistoric Times 
1.1.4. Costume in Prehistoric Times 
1.1.5. Furs and Fur Shops 
1.1.6. Fabrics and Techniques 
1.1.7. Chronological Concordances and Similarities in Prehistoric Clothing 

1.2. Ancient Age: Egypt and Mesopotamia 

1.2.1. Egypt 
1.2.2. The Assyrian People 
1.2.3. The Persian People 

1.3. Ancient Age: Classical Greece 

1.3.1. Cretan Clothing 
1.3.2. The Fabrics Used in Ancient Greece 
1.3.3. Ancient Greek Garments 
1.3.4. Ancient Greek Undergarments 
1.3.5. Ancient Greek Footwear 
1.3.6. Ancient Greek Hats and Headdresses 
1.3.7. Colors and Ornaments of Ancient Greece 
1.3.8. Accessories of Ancient Greece 

1.4. Ancient Age: The Roman Empire 

1.4.1. The Fabrics of Ancient Rome 
1.4.2. The Garments of Ancient Rome 
1.4.3. Undergarments of Ancient Rome 
1.4.4. Ancient Roman Footwear 
1.4.5. Ancient Roman Hats and Headdresses 
1.4.6. Relationship of Social Status and Clothing in Ancient Rome 
1.4.7. The Byzantine Style 

1.5. High Middle Ages and Low Middle Ages 

1.5.1. General Historical Features of the Medieval Period 
1.5.2. Clothing at the Beginning of the Middle Ages 
1.5.3. Clothing in the Carolingian Period 
1.5.4. Clothing in the Romanesque Period 
1.5.5. The Gothic Clothing 

1.6. The Modern Age: Renaissance, Baroque and Rococo 

1.6.1. Century XV and XVI: Renaissance 
1.6.2. XVII Century: Baroque period 
1.6.3. 18th Century Rococo 

1.7. Contemporary Age: Neoclassicism and Romanticism

1.7.1. The Clothing Industry 
1.7.2. Charles Frederick Worht 
1.7.3. Jacques Doucet 
1.7.4. Women's Clothing 
1.7.5. Josephine Bonaparte: The Empire Style 

1.8. Contemporary Age: Victorian Era and Belle Époque

1.8.1. Queen Victoria 
1.8.2. Men's Clothing 
1.8.3. Dandy 
1.8.4. Paul Poiret 
1.8.5. Madeleine Vionnet 

1.9. Conte.mporary Age: From Clothing to Fashion 

1.9.1. New Context and Social Change 
1.9.2. Fashion Designers 
1.9.3. Coco Chanel 
1.9.4. New Look 

1.10. Contemporary Age: The Century of Designers and Fashion 

1.10.1. The Modern Clothing 
1.10.2. The Rise of the American Designers 
1.10.3. The London Scene

Module 2. History of Fashion 

2.1. From Clothing to Fashion 

2.1.1. New Context and Social Change 
2.1.2. Women's Liberation 
2.1.3. New Concept of Fashion Designer 
2.1.4. Beginning of the 20th Century

2.2. The Modern Clothing 

2.2.1. The Modern Clothing 
2.2.2. The Rise of the American Designers 
2.2.3. The London Scene 
2.2.4. New York in the 70s 
2.2.5. 80s Fashion 
2.2.6. Multi-Brand Luxury Groups 
2.2.7. A Functional Fashion 
2.2.8. Activewear 
2.2.9. Fashion, Art and Pop Culture 
2.2.10. Celebrities 
2.2.11 Photography and Internet 

2.3. Great Masters of Fashion 

2.3.1. Jeanne Lanvin 
2.3.2. Jeanne Paquin 
2.3.3. Emilie Flöge 
2.3.4. Madeleine Vionnet 
2.3.5. Gabrielle Chanel 
2.3.6. Elsa Schiaparelli 
2.3.7. Carolina Herrera 

2.4. Great Masters of Fashion 

2.4.1. Charles Frederick Worth 
2.4.2. Jacques Doucet 
2.4.3. Paul Poiret 
2.4.4. Cristóbal Balenciaga 
2.4.5. Christian Dior 
2.4.6. Karl Lagerfeld 
2.4.7. Alexander McQueen 

2.5. Haute Couture

2.5.1. History of Haute Couture 
2.5.2. Federation of Haute Couture and Fashion 
2.5.3. Members of the Federation
2.5.4. From Haute Couture to Ready-to-Wear

2.6. Crafts 

2.6.1. Weaving as Art 
2.6.2. Crafts That Complement Clothing 
2.6.3. Artists and Craftworkers Related to Fashion 

2.7. Fast-Fashion

2.7.1. History and Origin of Fast-Fashion 
2.7.2. Business Model of Fast-Fashion 
2.7.3. Consequences of Fast-Fashion on the World 

2.8. Advertising and Photography in Fashion 

2.8.1. Archetypes and Stereotypes 
2.8.2. The Fashion Image 
2.8.3. Visual Communication of Fashion 
2.8.4. The Great Fashion Photographers 

2.9. Repercussion of Fashion 

2.9.1. The Textile Industry 
2.9.2. Relationship of Art and Fashion 
2.9.3. Fashion and Society 

2.10. Fashion Theory and Criticism 

2.10.1. Current Designers and Their Influence 
2.10.2. Current Trends 
2.10.3. The Trivialization of Fashion 

Module 3. Styling

3.1. Introduction to Styling 

3.1.1. Aesthetics, Style and Styling 
3.1.2. Analysis and Knowledge of the Fields of Styling 
3.1.3. The Role of the Stylist 
3.1.4. Communication in Fashion 
3.1.5. Digital Communication 

3.1.5.1. Social media 
3.1.5.2. Influencers 
3.1.5.3. Bloggers 

3.1.6. Styling Organization and Production Methods 

3.2. Runway Styling 

3.2.1. What is a Fashion Show 
3.2.2. Objectives of a Fashion Show 
3.2.3. Main World Catwalks 
3.2.4. Preliminary Preparations 
3.2.5. The Team 
3.2.6. The Fitting
3.2.7. The Models 
3.2.8. The Looks 
3.2.9. Music 
3.2.10. The Space 
3.2.11. Post-Event 

3.3. Audiovisual Styling 

3.3.1. The Cinema 
3.3.2. The Fashion Film
3.3.3. Showroom and Showrooming 
3.3.4. e-Commerce 

3.4. Dress Etiquette 

3.4.1. Formal Attire 
3.4.2. Informal Attire 
3.4.4. Sportswear 
3.4.5. Types of Etiquette 

3.5. Body Morphology and Colorimetry 

3.5.1. Body Typologies 
3.5.2. Body Silhouettes 
3.5.3. Color Theory Applied to Counseling 
3.5.4. Theory of The Seasons of the Year 
3.5.5. Color Classification 

3.6. Make up 

3.6.1. Introduction to Make-Up 
3.6.2. Make-Up Materials 
3.6.3. Make-Up Application 
3.6.4. Make-Up Styles 

3.7. Personal Shopper

3.7.1. What is the Personal Shopper? 
3.7.2. Process of Consultancy in Clothing and Accessories 
3.7.3. Characteristics of the Image Consultant 
3.7.4. How to Approach the Image Consultancy Process 
3.7.5. Development of the Process: The Technical Documentation 
3.7.6. Study and Evaluation of The Client's Image 
3.7.7. Proposal to the Customer on the Adoption of New Aesthetic Models in Clothing. 
3.7.8. Methods for the Adoption of Aesthetic Patterns in Dressing 
3.7.9. Methods of Client Training 
3.7.10. Advice on the Purchase of Clothing and Accessories 

3.8. Dressing Style 

3.8.1. Prehistory and Ancient Age 

3.8.1.1. Prehistory 
3.8.1.2. Mesopotamia: Sumerians, Babylonians and Assyrians, Persians and Medes
3.8.1.3. Egypt 
3.8.1.4. Crete: Minoan Civilization 
3.8.1.5. Greta 
3.8.1.6. Etruria 
3.8.1.7. Rome 
3.8.1.8. Byzantine Empire 

3.8.2. History of Clothing: Middle Ages and Renaissance 

3.8.2.1. Average Age 
3.8.2.2. Renaissance 

3.8.3. History of Clothing: Baroque and Rococo 

3.8.3.1. Baroque: 17th Century 
3.8.3.2. Rococo: 18th Century 

3.8.4. History of Clothing: 19th Century 

3.8.4.1. Historical Context 
3.8.4.2. Women's Clothing 
3.8.4.3. Men's Clothing 

3.8.5. History of Clothing: 20th Century 

3.8.5.1. Historical Context 
3.8.5.2. Clothing from 1900 to 1950 
3.8.5.3. Clothing from 1950 to 2000 

3.9. Garment Lexicon 

3.9.1. Hats and Caps 
3.9.2. Coats and Jackets 
3.9.3. Men's Suits 
3.9.4. Tie Knots 
3.9.5 Shirts 
3.9.6. T-Shirts 
3.9.7. Collars, Necklines and Collars 
3.9.8. Sleeves 
3.9.9. Pants 
3.9.10. Dresses 
3.9.11. Shoes 
3.9.12. Skirts 
3.9.13. Add-Ons 

3.10. Basic Clothing Styles 

3.10.1. Trends 
3.10.2. The Coolhunter 
3.10.3. Classic Style 
3.10.4. Avant-Garde Style 
3.10.5. Informal or Casual Style 
3.10.6. Bohemian Style 
3.10.7. Minimalist Style 
3.10.8. Retro or Vintage Style 
3.10.9. Oversized Style 
3.10.10. Feline or Lingerie Style 
3.10.11. Grunge Style 
3.10.12. Ethnic Style 
3.10.13. Hippie Style 
3.10.14. Punk Style 
3.10.15. Executive Style 
3.10.16. Gothic Style 
3.10.17. Safari Styles 
3.10.18. Military Style 
3.10.19. Folk Style 
3.10.20. Underground Style 
3.10.21. Other Styles 

A high-level educational experience for professionals seeking excellence"