Enroll in a very complete program on Musical Harmony with which you will go through the evolution of the harmonic concept”

Music is a universal language that has been present in human culture since time immemorial. From tribal rhythms to great symphonies, Music has been a form of communication and expression that has evolved and been enriched over the centuries. Within this vast musical universe, harmony is positioned as one of the fundamental elements that allow the creation of complex and profound works.

In fact, the ability to understand and use harmony correctly is essential for anyone interested in creating or performing music. For this reason, the Diploma in Musical Harmony is presented as an ideal option for those who wish to deepen their knowledge of Music. This degree is designed to provide students with a thorough and rigorous specialization in the harmonic concept. It is made up of a series of modules that cover the construction of any type of chord, the proper movement of the voices of these chords or the basic progressions for a harmonious rhythm.

One of the main characteristics of the Diploma in Musical Harmony is its pedagogical methodology based on Relearning. This methodology focuses on the directed repetition of concepts, which promotes a faster assimilation of ideas. In addition, the 100% online modality of the program allows students to access academic resources from anywhere and at any time, which makes it an ideal option for those who wish to combine their musical preparation with other commitments.

It stands out in the construction of any type of chord thanks to TECH Global University”

This Postgraduate certificate in Musical Harmony contains the most complete and up-to-date program on the market. The most important features include:

• The development of practical cases presented by experts in Musical Harmony
• The graphic, schematic, and practical contents with which they are created, provide practical information on the disciplines that are essential for professional practice
• Practical exercises where self-assessment can be used to improve learning
• Its special emphasis on innovative methodologies
• Theoretical lessons, questions to the expert, debate forums on controversial topics, and individual reflection assignments
• Content that is accessible from any fixed or portable device with an Internet connection

You will interpret like a versed musician harmonic schemes on the piano”

The program’s teaching staff includes professionals from sector who contribute their work experience to this educational program, as well as renowned specialists from leading societies and prestigious universities.

Its multimedia content, developed with the latest educational technology, will provide the professional with situated and contextual learning, i.e., a simulated environment that will provide an immersive education programmed to learn in real situations.

The design of this program focuses on Problem-Based Learning, by means of which the professional must try to solve the different professional practice situations that are presented throughout the academic course. For this purpose, the student will be assisted by an innovative interactive video system created by renowned and experienced experts.

The perfect opportunity to perform basic progressions in line with the rules of harmony"

You will be able to interrelate the harmonic processes with the musical form to position yourself as a benchmark in this matter"

The Diploma has been designed by a team of experts in musical direction in collaboration with TECH Global University, and a long period of time has been invested in the creation of a study plan that is at the forefront of the sector. This program offers not only high-quality theoretical and practical material, but also a variety of additional resources, such as research articles, readings complementary, dynamic summaries and self-awareness exercises. In this way, students can personalize their learning process and contextualize the information on the syllabus to delve into the different sections effectively. All this in just 300 hours.

If you want to handle figured bass with solvency, this degree is for you”

Module 1. Harmony

1.1. Harmony

1.1.1. What is Harmony in Music?
1.1.2. Evolution of the Concept Harmonics
1.1.3. Functional harmony
1.1.4. Harmony in Schools

1.2. Figured bass

1.2.1. What is a figured bass?
1.2.2. History of the figured bass
1.2.3. Interpretation and realization of a figured bass
1.2.4. basic ciphers

1.3. Conduction of the Voices

1.3.1. What is voice conduction?
1.3.2. Voice arrangement rules
1.3.3. Rules of the melodic movement of each of the voices
1.3.4. Rules of harmonic movement between two voices
1.3.5. Rules for obligatory resolution notes

1.4. The chords of the scale

1.4.1. Triad chord links
1.4.2. Chord sequences
1.4.3. Chords derived from the major scale
1.4.4. Chords seventh derived from the major scale
1.4.5. Chords derived from the minor scale

1.5. Seventh and ninth chords

1.5.1. What are seventh chords?
1.5.2. Types of seventh chords
1.5.3. What are ninth chords?
1.5.4. Types of ninth chords

1.6. The cadences

1.6.1. Perfect cadence
1.6.2. Plagal cadence
1.6.3. Broken cadence
1.6.4. Semi-cadence
1.6.5. Andalusian Cadence
1.6.6. Perfect cadence

1.7. Dissonance

1.7.1. Concept
1.7.2. Role of Dissonance
1.7.3. Harmonic resolution of dissonance
1.7.4. Melodic resolution of dissonance

1.8. Chord inversions

1.8.1. What is an inversion?
1.8.2. Triad chord inversions
1.8.3. Seventh chord inversions
1.8.4. Inversions on ninth chords?

1.9. Adornment notes

1.9.1. What is an ornament note?
1.9.2. Passing note
1.9.3. Embroidery
1.9.4. Delay
1.9.5. Anticipation
1.9.6. Support
1.9.7. Échapée
1.9.8. Cambiata
1.9.9. Pedal Note

1.10. Modulation

1.10.1. Concept and Functions
1.10.2. Modulation by pivot chord
1.10.3. Chromatic modulation
1.10.4. The enharmonic modulation

Module 2. Harmony II

2.1. The scales

2.1.1. The seven modal scales
2.1.2. Minor scales
2.1.3. The Degrees of the scale
2.1.4. Tonal and modal degrees

2.2. Voice movements

2.2.1. Direct movement
2.2.2. The opposite movement
2.2.3. The oblique movement
2.2.4. Layout of Voices

2.3. Extension and duplication of voices

2.3.1. Bass extension
2.3.2. Tenor extension
2.3.3. Alto extension
2.3.4. Soprano / treble extension
2.3.5. Voice duplication rules

2.4. Harmonization

2.4.1. Harmonization of coded and uncoded basses
2.4.2. Harmonization of treble
2.4.3. Harmonization of mixed works (bass-treble or treble-bass)
2.4.4. Creation and harmonization of own works

2.5. Tonal and modal links

2.5.1. Tonal link: (V-I) (I-IV)
2.5.2. Tonal link: (V- VI) (IV- V)
2.5.3. Tonal link: (I- VI) (IV-II)
2.5.4. Modal link: (V- II) (IV- I)
2.5.5. Modal link: (V- IV) (II- I)
2.5.6. Modal link: (I-III) (II- IV)

2.6. Modulation

2.6.1. Modulation by pivot chord
2.6.2. Chromatic modulation
2.6.3. The enharmonic modulation
2.6.4. The modulation to the third ascending circle of fifths

2.7. Sixth chords

2.7.1. Origin
2.7.2. Italian sexta
2.7.3. The French Sixth
2.7.4. The German sixth

2.8. The ninth of dominant

2.8.1. The major dominant ninth
2.8.2. The minor dominant ninth
2.8.3. Notes of obligatory resolution
2.8.4. The links

2.9. Harmonic rhythm / subdivisions

2.9.1. What is harmonic rhythm?
2.9.2. History of harmonic rhythm
2.9.3. What is rhythmic subdivision?
2.9.4. Subdivision of harmonic rhythm

2.10. Harmonization of a chorale

2.10.1. Harmonic sequencing
2.10.2. Prioritization of cadences
2.10.3. Modulation points
2.10.4. The use of the V with a seventh in inversions

A program that gathers all the advanced knowledge about the seven modal scales or the prioritization of cadences. Enroll now!”